Chicago Sun-Times

ONE-MINUTE MOVIE CRITIC

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With brilliant, claustroph­obically effective directing choices by Sam Mendes and strong, raw performanc­es from leads Dean-Charles Chapman and George MacKay, this heart-stopping World War I drama is a unique viewing experience you won’t soon shake off. (R, 119 min.) —Richard Roeper

At times, I was intrigued and charmed by the bold choices, from the creative visuals to a decidedly adult subplot. Nearly as often, I was frustrated by the long stretches when Mister Rogers (Tom Hanks, perfectly cast) was missing from a Mister Rogers movie. (PG, 108 min.) —Richard Roeper

This recounting of the sexual harassment scandals at Fox News benefits from solid if unspectacu­lar direction by Jay Roach and excellent performanc­es by Charlize Theron (as Megyn Kelly), Nicole Kidman (as Gretchen Carlson) and Margot Robbie. (R, 108 min.) —Richard Roeper

Despite the earnest efforts of Jennifer Hudson, Ian McKellen and other talented stars — transforme­d into singing felines with creepy “digital fur technology” — this adaptation of the stage musical is a tedious and weird-looking exercise in self-indulgence. (PG, 109 min.) —Richard Roeper

Robert Downey Jr.’s eyes seem to glaze over with boredom as he plays the doctor who brings his animal friends on a seafaring quest. By the time the doc operates on a flatulent dragon, “Dolittle” has solidified its standing as a terrible multivehic­le pileup. (PG, 106 min.) —Richard Roeper

Christian Bale, playing hotheaded 1960s race car driver Kenny Miles, and Matt Damon, as the auto designer who hires him to help Ford compete at Le Mans, have a relaxed, sometimes very funny chemistry in this rip-roaring, heart-pounding action/drama. (PG-13, 152 min.) —Richard Roeper

An uplifting, true-hearted and worthy (if not equal) sequel to the 2013 mega-blockbuste­r, this beautifull­y animated film is sprinkled with good humor and filled with sister-power bonding moments. And there are more than a few trippy, New Age-y detours . (PG, 103 min.) —Richard Roeper

On balance, this is a formulaic biopic of the abolitioni­st Harriet Tubman. But thanks to director Kasi Lemmons and a powerful lead performanc­e from Cynthia Erivo, the story comes to life as a crackling slice of historical fiction about a real-life action hero. (PG-13, 125 min.) —Richard Roeper

Writer-director Taika Waititi delivers a timely, anti-hate fractured fairy tale AND turns in hilarious work as Adolf Hitler, imaginary friend to a 10-year-old German boy near the end of World War II. No, really. (PG-13, 108 min.) —Richard Roeper

A chilling character study portrays events in Gotham City that transforme­d a sad loner into a classic supervilla­in. With Joaquin Phoenix dominating the screen with his memorably creepy turn, “Joker” will cling to you like the aftermath of a realistic nightmare. (R, 122 min.) —Richard Roeper

Like “Jumanji: Welcome to the Jungle,” this funny, old-fashioned adventure puts teens into video game avatars that look like Dwayne Johnson, Kevin Hart and others. There’s more than enough charm to overcome the occasional overlong action sequence. (PG-13, 123 min.) —Richard Roeper

A young lawyer (Michael B. Jordan) pours his heart and soul into exoneratin­g an innocent man (Jamie Foxx). The fact-based legal thriller is one of the most predictabl­e movies you’ll ever see, but that doesn’t mean it’s not inspiratio­nal and debate-provoking. (PG-13, 137 min.) —Richard Roeper

This crackling good, old-fashioned murder mystery is one of those movies where it looks like the immensely appealing cast — including Daniel Craig, Jamie Lee Curtis and Chris Evans — had as much fun making the film as we have watching it. (PG-13, 131 min.) —Richard Roeper

Police tactics enrage the poor residents, largely immigrant families, of a housing project outside Paris, and tensions spill over. The film excels in its lively verisimili­tude, its terrific cast and its intensity. (R, 104 min.) —Jake Coyle, AP

The likable Tiffany Haddish and Rose Byrne play lifelong friends tempted to turn over their struggling cosmetics company to a villainous tycoon (Salma Hayek). It’s just a crass and dumbed-down buddy comedy in lipstick and eyeshadow. (R, 83 min.) —Richard Roeper

In writer-director Greta Gerwig’s telling, it’s as if we’re meeting the March sisters for the very first time, and we’re swept away in a gorgeously filmed, wickedly funny, deeply moving and, yes, empowering story. This is one of my favorite movies of 2019. (PG, 135 min.) —Richard Roeper

One of the best movies of 2019, Bong Joon Ho’s story of a rich family and a poor one living parallel and drasticall­y different lives in South Korea is a film of dramatic power, innovative comedy, romantic poetry and melancholy beauty. (R, 132 min.) —Richard Roeper

A man and woman on a first date end up on the run after a police encounter goes bad in one of the best and most important movies of the year. Filled with keenly observed social commentary, it also finds time for some comedic relief and a red-hot romance. (R, 132 min.) —Richard Roeper

This computer-animated adventure benefits from the expert comic timing of Will Smith, providing the voice of a super-spy accidental­ly transforme­d into a pigeon. It’s terrific family entertainm­ent, popping with bright colors. (PG, 101 min.) —Richard Roeper

Action-filled and plot-packed, Episode IX of the space opera saga features a surprise around nearly every corner. It rarely comes close to touching greatness, but it’s a solid, visually dazzling and warm-hearted victory for the Force of quality filmmaking. (PG-13, 141 min.) —Richard Roeper

Adam Sandler deserves an Oscar nomination for his work as a New York jeweler and gambling addict in a constant state of high anxiety. Kinetic, pulse-quickening and brutally intense, this is one of the most authentic deep-dives into gambling ever put on film. (R, 135 min.) —Richard Roeper

Playing a resourcefu­l engineer at a research station some seven miles beneath the surface of the ocean, Kristen Stewart leads the likable cast of this laughably ludicrous sci-fi horror flick. The visually muddy film sinks like a half-ton boulder. (PG-13, 95 min.) —Richard Roeper

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