Chicago Sun-Times

TV exec picked ’70s hits

- BY LYNN ELBER AP Television Writer

LOS ANGELES — Fred Silverman, the only TV executive who steered programmin­g for each of the Big Three broadcast networks and who brought “All in the Family,” “Roots,” “Hawaii Five-O” and other hit series and miniseries to television during his more than three-decade career, died Thursday. He was 82.

Mr. Silverman, who had been battling cancer, died at his home in the Pacific Palisades area of Los Angeles, family spokespers­on Julia Rosen said Thursday. Family members were with him, Rosen said.

Mr. Silverman’s gift for picking shows that resonated with viewers — if not always TV critics — prompted Time magazine to dub him “The Man with the Golden Gut” in a 1977 profile. As ABC’s entertainm­ent chief, Mr. Silverman had turned the network’s fortunes around with shows including “Roots,” “Rich Man, Poor Man” and “Charlie’s Angels.”

He had already brought success to CBS with an overhaul that included the end of country-themed series including “Petticoat Junction” and “Green Acres” and a pivot to what advertiser­s considered more upscale and urban fare, including “The Mary Tyler Moore Show,” “The Bob Newhart Show” and “Mannix.”

Mr. Silverman failed to demonstrat­e his ratings muscle when he moved to NBC as network CEO and president, with “Diff ’rent Strokes” among the exceptions.

A native of New York City, Mr. Silverman started his post-college career in local television in Chicago and New York. He joined CBS in 1963 and became vice president for programmin­g in 1970, building a schedule that eventually counted “All in the Family,” “MASH,” “Kojak” and, uncharacte­ristically, “The Waltons,” about a family in Virginia’s Blue Ridge Mountains circa the 1930s.

He mastered the art of the spin-off at CBS: “All in the Family” begat “Maude” and “The Jeffersons,” “Maude” begat “Good Times,” and “The Mary Tyler Moore Show” begat “Rhoda,”

When he became ABC Entertainm­ent president in the mid-1970s, Mr. Silverman introduced the “Happy Days” spin-off “Laverne & Shirley” and the “Six Million Dollar Man” derivative “The Bionic Woman” to the schedule. His original hits ranged from the groundbrea­king miniseries “Roots” to “Charlie’s Angels.” The latter, grouped with other ABC shows featuring women with relatively revealing outfits, earned the derogatory moniker “jiggle TV.”

Moving to NBC in the late 1970s, Mr. Silverman fielded a mix of flops (“Pink Lady,” “Hello, Larry”) and successes (“Hill Street Blues,” the miniseries “Shogun,” “The Facts of Life”) and proved unable to fulfill his vow to make it the top-rated network.

After leaving NBC in 1981, Mr. Silverman formed his own company whose production­s and co-production­s included the “Perry Mason” TV movies, “Matlock,” “Jake and the Fatman” and “Diagnosis: Murder.”

Mr. Silverman had a son and daughter with his wife, Catherine Kihn.

 ?? FRAZIER MOORE/AP ?? Fred Silverman (shown in 2015) brought success to CBS in the early 1970s by replacing country-themed series including “Petticoat Junction” and “Green Acres” with more upscale fare.
FRAZIER MOORE/AP Fred Silverman (shown in 2015) brought success to CBS in the early 1970s by replacing country-themed series including “Petticoat Junction” and “Green Acres” with more upscale fare.

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