Chicago Sun-Times

Irish immigrant musician played traditiona­l bodhrán drum

- BY MAUREEN O’DONNELL, STAFF REPORTER modonnell@suntimes.com | @suntimesob­its

When Malachy Towey beat on his drum, it could make a person want to dance a jig — or march off to war.

He probably was the oldest person in Chicago to play the bodhrán, a traditiona­l Irish instrument made from a goatskin stretched over a round wooden frame.

Accordioni­st Jimmy Keane said he was “the first musician I ever saw play the bodhrán with his massive hands and knuckles — no sticks, brooms nor brushes for Malachy — just straight from his heart to his hand.”

Those big hands also could replicate the tiny rosettes in the moldings at the Chicago Cultural Center. The founder of Beverly Plastering, he worked as a plasterer at the center and other buildings including hospitals, schools and restaurant­s.

Mr. Towey, an Irish immigrant from Cloontia in County Mayo, died in his sleep Wednesday at 99 at his Mount Greenwood home.

“He had a wonderful day,” his daughter Esther Muhr said. “He had a great dinner and was really happy and content.”

Only two weeks ago, he’d played a session at Lanigan’s Irish Pub, 3119 W. 11th St.

“He still was able to play a tune,” said Nick Glynn, a manager there. “He loved the bodhrán.”

“He certainly made a mark with his playing and his presence at the session at Lanigan’s all these years,” said Liz Carroll, an acclaimed fiddler from Chicago who was the first American composer to receive Ireland’s top cultural prize for traditiona­l music.

Young Malachy made his first bodhrán at 9. When he was a boy, “The bodhrán was usually only played one day of the year in Ireland, and that was what they called St. Stephen’s Day — Dec. 26,” he said in a 2016 interview with Jay Shefsky on WTTW’s “Chicago Tonight.”

He and his four brothers and sister grew up on a farm. Even during the Great Depression, his parents Bridget and Martin “were completely self-sufficient,” his daughter said. “They made everything or produced everything they needed except for tea and sugar.”

They heated their home with peat cut from bogland.

“When he was a boy, every house was full and there were lots of kids,” she said. But with few jobs, “Eventually, everyone left.”

He followed his brothers to London, where he helped repair the damage from German bombs during the Blitz. He stayed busy because he knew how to do plastering, painting, carpentry and bricklayin­g.

Able-bodied men went to war, so, “at 17, he had a whole gang of men working under him,” said another daughter, Julia McSweeney.

One day, “He and his brothers were repairing some building that had been damaged in the bombing, and he walked across a roof,” Muhr said. “What he didn’t know was the roof was glass that had been painted black during the blackout” to shield the lights from enemy aircraft. “He fell through the glass really hard on a big table, and he was out of breath, and the table was surrounded by people, and they were all screaming at him. He looked around, and he realized he was lying on a big map of Europe with little boats and flags. It was the

British Army’s battle headquarte­rs.”

“He was promptly arrested,” Muhr said. “They let him go right away when they realized he was one of the guys trying to repair the damage.”

In London, he met Bridget Mooney, a fellow Irish immigrant from Ardee in County Louth. Besides working at a hospital, she had a wartime factory job making timers for bombs, according to their daughters. They married in 1947.

They immigrated again, to Canada, and later to Cleveland. When he visited Chicago for a Gaelic football game, “He realized a lot of his friends were here,” Muhr said, and the Toweys settled in Mount Greenwood in 1963.

He didn’t have a bodhrán at first. “You couldn’t go out and kill a goat here,” McSweeney said. “He’d find a flat surface like a tray. He’d keep the beat on that.”

Eventually, Mr. Towey found the traditiona­l drum, and, “as far as I know, I had the only bodhrán in Chicago,” he told WTTW.

But after the Chieftains, the Irish maestros of traditiona­l music, became popular, “suddenly you started seeing them everywhere,” Muhr said.

When he came to Lanigan’s a few years ago to watch County Mayo compete in an all-Ireland football match, patrons leaned in to listen to stories from Mr. Towey, who’d witnessed the last time Mayo won the competitio­n. It’s been said Mayo was cursed by a priest after its last all-Ireland victory because the team ignored a nearby funeral procession.

“He was saying I was at the last all-Ireland they won, at [Dublin’s] Croke Park in 1951,” Glynn said. Nearly 70 years later, the team is yet to break its losing streak.

His wife Bridget and son Shamus died before him. Besides daughters Esther Muhr and Julia McSweeney, he’s survived by daughters Marie Szyman and Shirley Saldaña, sons Malachy, Kevin and Brendan, 12 grandchild­ren and 16 great-grandchild­ren. Arrangemen­ts are pending.

 ?? PROVIDED ?? Malachy Towey with a bodhrán, a traditiona­l Irish drum.
PROVIDED Malachy Towey with a bodhrán, a traditiona­l Irish drum.
 ??  ?? Malachy and Bridget Towey were married in 1947.
Malachy and Bridget Towey were married in 1947.

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