Chicago Sun-Times

ART RESTART

Chicago area museums reopen to onsite visitors, with safety protocols firmly in place

- BY KYLE MACMILLAN Kyle MacMillan is a local freelance writer.

After a financiall­y damaging fourmonth-plus closure because of safety restrictio­ns surroundin­g the COVID-19 pandemic, many museums across Chicago have already reopened or are set to reopen in the next few weeks.

The Elmhurst Art Museum unshuttere­d its doors on June 30, and the Chicago History Museum did the same on July 10. The Museum of Contempora­ry Art Chicago and Field Museum will begin welcoming the public on July 24, and the Art Institute of Chicago has chosen a restart date of July 30.

“We’ve all been waiting for this, and it’s exciting to welcome people back,” said Kati Murphy, the Art Institute’s executive director of public affairs. “Having the first week free for Illinois residents, it really feels like we’re rolling out the red carpet for the people of Chicago and Illinois who have missed the opportunit­y to experience culture.”

The Art Institute sought to follow state and local coronaviru­s guidelines for reopening and also uphold its own visitor standards. “We recognized,” Murphy said, “what we needed to do inside the galleries, what we needed to do to train our staff, and July 30 became the date that became most realistic for us to be confident in our abilities to give visitors what they expect.”

Each institutio­n reinitiati­ng on-site operations has adopted a set of protocols to keep visitors and staff as safe as possible. These include supplement­ary cleaning, augmented contactles­s interactio­n, additional spacing and one-way pathways and closures of small and constricte­d galleries.

“As a scientific institutio­n,” said Jacob Shuler, the Field Museum’s guest relations manager, “we’ve been following the studies and advice of medical profession­als since we closed in March and as we started to draw up the plans for what we thought a safe reopening might look like.”

At the same time, each museum has to be ready to respond as guidelines change or an in-house outbreak of COVID-19 is discovered. “Unfortunat­ely, that’s part of the reality of right now,” said John McKinnon, executive director of the Elmhurst

Art Museum.

Here are some highlights of exhibition­s that are or soon will be on view as museums restart, and a look what has been postponed:

Reopening exhibition­s:

♦ Extended through Oct. 19, “El Greco: Ambition and Defiance” (originally scheduled March 7-June 21), Art Institute. The first major exhibition in 15 years devoted to the famed 16th-century painter, it contains 55 works, including the “The Assumption of the Virgin” (1577-79). The show will look as it did prior to closing, but there is no longer a supplement­ary charge to see it and restrictio­ns have been placed on how many people can be in the galleries at any one time.

♦ Extended likely through Summer 2021, “Apsáaooke Women and Warriors,” (originally scheduled March 13, 2020-April 4, 2021), Field Museum. The institutio­n’s first major exhibition curated by a Native scholar, it focuses on the art and culture of the Apsáaooke or Crow Tribe. The show was on view just one day before the museum was forced to close because of coronaviru­s restrictio­ns. The re-opened offering will be presented with virtually no alteration­s, because the museum’s special exhibition­s were already arranged with ample visitor flow and spacing.

♦ Extended through Jan. 3, 2021, “Modern by Design: Chicago Streamline­s America” (originally scheduled Oct. 27, 2018-Dec. 2, 2019), Chicago History Museum. This show features nearly 300 objects from the 1930s through ’50s that highlight Chicago industry’s role in popularizi­ng the streamline­d look. The show was first truncated because of a pipe burst and was cut off again with the COVID-19 shutdown. “We thought we would just keep it up,” said John Russick, the museum’s a crowd-pleas material.”

New exhibition­s

♦ July 24- Nov. 7, “Just Connect,” Museum of Contempora­ry Art. Muaterials seum press materials describe it “a exhibition on how the pandemic has made us more aware of our desire to connect, and how we depend on our communitie­s and families for a sense of belonging.” The show features popular and rarely seen works from the MCA collection by such artists as Marina Abramovic, Jenny Holzer, Kerry James Marshall, Francesca Woodman an d Akram Zaatari.

♦ Sept. 8-Nov. 22, “Art in the Post,” Elmhurst Art Museum. The art museum is soliciting suubmissio­ns of postcards

or index cards decorated with text and images that respond in some way to the coronaviru­s quarantine and more recent events like the Black Lives Matter protests. Submission­s from people of any age are due Aug. 30, and they will be displayed in the museum’s Hostetler Gallery.

Postponed exhibition

♦ Sept. 3-Jan. 18, 2021, “Monet and Chicago” (originally scheduled May 10Sept. 7), Art Institute. Although delayed, this show, which looks at the relationsh­ip between the famed French Impression­ist and Chicago art collectors, otherwise will proceed as originally planned. Because most of the outside works are from local collection­s, Murphy said, extending those loans was considerab­ly easier than if they were coming from afar. To allow for proper social distancing, the show’s original layout in Regenstein Hall has been expanded, and partition walls and benches removed.

Future unknown

♦ “Jurassic Oceans” (originally scheduled June 12-Jan. 3, 2021), Field Museum. The exhibition of prehistori­c marine predators, organized by the Natural History Museum in London, was to have come to Chicago after being on view in Bahrain, but the pandemic has thrown shipping and scheduling into chaos. “We’re still working with the restrictio­ns in London where the show is coming from to decide if there is a good plan to move forward,” Shuler said. “But at this point, we will just update the public when we know more.”

 ?? FRANCESCA WOODMAN, “IT MUST BE TIME FOR LUNCH NOW, NEW YORK, 1979,” 1979. COLLECTION MUSEUM OF CONTEMPORA­RY ART CHICAGO, © 1979 FRANCESCA WOODMAN. COPYRIGHT AND COURTESY CHARLES WOODMAN/ESTATE OF FRANCESCA WOODMAN. PHOTO: NATHAN KEAY, © MCA CHICAGO ??
FRANCESCA WOODMAN, “IT MUST BE TIME FOR LUNCH NOW, NEW YORK, 1979,” 1979. COLLECTION MUSEUM OF CONTEMPORA­RY ART CHICAGO, © 1979 FRANCESCA WOODMAN. COPYRIGHT AND COURTESY CHARLES WOODMAN/ESTATE OF FRANCESCA WOODMAN. PHOTO: NATHAN KEAY, © MCA CHICAGO
 ?? MCA COLLECTION. NATHAN KEAY/© MCA CHICAGO ?? Hollis Sigler’s “She Wants To Belong To The Sky, Again” (1981) is featured in the timely “Just Connect” exhibit, focusing on our desire to connect during the pandemic, at the Museum of Contempora­ry Art Chicago.
MCA COLLECTION. NATHAN KEAY/© MCA CHICAGO Hollis Sigler’s “She Wants To Belong To The Sky, Again” (1981) is featured in the timely “Just Connect” exhibit, focusing on our desire to connect during the pandemic, at the Museum of Contempora­ry Art Chicago.
 ??  ?? Ben Pease’s “Sacred Under the Cliff of Yellowston­e” is featured in “Apsáaooke Women and Warriors” at the Field Museum.
Ben Pease’s “Sacred Under the Cliff of Yellowston­e” is featured in “Apsáaooke Women and Warriors” at the Field Museum.
 ?? THE ART INSTITUTE OF CHICAGO, POTTER PALMER COLLECTION ?? Claude Monet, “On the Bank of the Seine, Bennecourt” (1868) is among the works in “Monet and Chicago,” now opening Sept. 3 at the Art Institute of Chicago.
THE ART INSTITUTE OF CHICAGO, POTTER PALMER COLLECTION Claude Monet, “On the Bank of the Seine, Bennecourt” (1868) is among the works in “Monet and Chicago,” now opening Sept. 3 at the Art Institute of Chicago.
 ?? COURTESY THE FIELD MUSEUM ??
COURTESY THE FIELD MUSEUM

Newspapers in English

Newspapers from United States