Chicago Sun-Times

VIRTUAL HAS ITS VIRTUES

In 1st night strictly online, Lollapaloo­za emphasizes women and social change

- BY SELENA FRAGASSI For the Sun-Times

If the giant, gaping hole left by the lack of live music in 2020 wasn’t already palpable enough, watching Lollapaloo­za 2020 kick off virtually on YouTube Thursday night made the loss feel even more devastatin­g than perhaps any of the livestream­s thus far in 2020.

It may have been the video of body-tobody fans moving in unison to Run the Jewels that gave pangs to experience even a sliver of the claustroph­obia we complain about summer after summer. Or, the interludes between recorded performanc­es that highlighte­d all the hardworkin­g people behind the scenes of Lollapaloo­za like staff photograph­ers who are struggling to get by in the new cultural paradigm. Or, clinging to the hidden meaning behind founder Perry Farrell’s words that he “hopes” to see us in Grant Park next summer. Hopes?

While audio sync issues early on made everything feel “off ” and there was almost an automatic need to text a friend to see where to meet up at the Budweiser Stage later on, there’s reason to pause and consider why it’s not such a bad thing that the fully online Lolla2020 is like nothing we’ve ever seen in the festival’s nearly 30-year history.

In the first hour alone, women performers and artists of color were many. There also was a concerted effort to align with incredibly important organizati­ons in the current social climate including the Equal Justice Initiative and Michelle Obama’s

When We All Vote initiative; other than a prominent recycling program, it’s hard to remember a time Lollapaloo­za was so civically engaged.

Not to mention the diligent effort to shine a spotlight on the festival’s home of Chicago more than ever before, kicking off with the introducti­on from Mayor Lori Lightfoot as thousands of internatio­nal fans tuned in (nearly 20,000 at one point Thursday) — all of them seeing her awkwardly start her conversati­on with Perry Farrell by asking if he was wearing pants and then pivoting to having him send a message to the Lollapaloo­za demographi­c about the need to wear masks.

One of the great benefits of watching a behemoth like Lollapaloo­za as a livestream — beyond being able to use your own flushable toilet and getting the best unblocked view — is you don’t have the choice for which set deserves your attention in the moment. There’s no epic conflict to be tortured about, no noise bleed to contend with and — more importantl­y — there’s the chance for discovery of a new artist you could have been too hung over to see in that uncoveted noon time slot.

Without this platform, you probably would have missed Yellopain,

whose incredible performanc­e was a “Schoolhous­e Rocks” for 2020 and included a full civics lesson that even history teachers would blush at.

While Lollapaloo­za partnered with Toyota to bring the Live From the Music Den discovery stage like it has done in years past (offering up Dominican-American artist DaniLeigh to start on Thursday), the night’s primetime programmin­g also included the relatively unknown but deserving Chicago singer-songwriter Kaina and Toni Cornell (the daughter of the late Soundgarde­n singer Chris Cornell), whose impressive pipes belted out a curious cover of Pearl Jam’s hit “Black” in tribute to her dad. There was also singer-songwriter TeaMarrr, whose provocativ­e performanc­e probably made most parents wish there was still a Kidzapaloo­za area they could skirt the young ones off to quickly.

Nothing will ever replace the in-person event: the real, raw, unfiltered, guttural performanc­es that span more than 2-3 songs and the ability to watch it with friends (or at least more than the 10 people we’re allowed to gather with now). Archived footage of like Alabama Shakes, Cypress Hill and the like tried to fill that space, but the video production in many of the recorded segments made much of the night come off as just highly edited music videos.

But while we all want that live, sweaty, in-your-face experience to come back next year (even if it will never be free again), for 2020, Lollapaloo­za should get some credit for pulling off the unthinkabl­e in the mere weeks since the June cancellati­on announceme­nt. Turn off that comment feed, turn up the AC and enjoy the next three days in a way you’ll never get to experience Lollapaloo­za again.

 ?? YOUTUBE.COM/LOLLAPALOO­ZA PHOTOS ?? Toni Cornell, daughter of Soundgarde­n singer Chris Cornell, sings a cover of “Black” during the virtual Lollapaloo­za stream.
YOUTUBE.COM/LOLLAPALOO­ZA PHOTOS Toni Cornell, daughter of Soundgarde­n singer Chris Cornell, sings a cover of “Black” during the virtual Lollapaloo­za stream.
 ??  ?? Brittany Howard SUN-TIMES FILE
Brittany Howard SUN-TIMES FILE
 ??  ?? Yellopain
Yellopain

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