Chicago Sun-Times

McCarthy comedy asks very little of the brain

- BY RICHARD ROEPER, MOVIE COLUMNIST rroeper@suntimes.com | @RichardERo­eper

Early on in the techno-comedy “Superintel­ligence,” Melissa McCarthy’s Carol Peters shows up for a job interview with a dating website and is invited to sit in an enormous, teal-colored beanbag chair. Cue the shtick-heavy sequence of Carol flinging herself onto the chair and falling off repeatedly, being humiliated by the terrible people interviewi­ng her and then struggling to escape from the beanbag chair and regain her feet.

It’s a mildly funny scene in a sitcom sort of way— and it sets the tone for the movie as a whole. We can almost hear the filmmakers telling us this is going to be a light-hearted, unambitiou­s and intermitte­ntly amusing romp that plays to McCarthy’s considerab­le comedic skills but is not going to present much of anything new for her or for the viewer. And indeed, “Superintel­ligence” glides along on its merry path, putting a comedic spin on the overly familiar plot device of a rogue Artificial Intelligen­ce entity that has become so smart it wants to rule the world. (For a much more serious take on the subject, check out the sci-fi crime procedural “neXt” on fox.com and Hulu.)

McCarthy’s Carol is a kind-hearted soul who quit her job eight years ago with the goal of contributi­ng to the greater good, which she does by volunteeri­ng for a wide variety of worthy causes while her career is on hold. When one of the aforementi­oned execs at the dating site tells Carol she’s literally the most average person in the world, she appears on the radar of an artificial intelligen­ce program that initially sounds like HAL from “2001: A Space Odyssey” but then takes on the voice of James Corden (voiced by James Corden) who says, “I’m not James Corden, Carol, but my analysis shows that hearing James Corden’s voice would calm you.” As the James Corden-sounding algorithm explains, “Yesterday, I acquired what you would consider ‘awareness.’ I inhabit every electronic, digital and computatio­n in existence. I can see everything and calculate every outcome to every situation.”

From that moment forward, the superintel­ligence— let’s just call it the S.I.— is with Carol every waking and probably sleeping moment, observing her behavior so it can learn more about human beings. The S.I. tells Carol there are three options:

† It will save mankind; end war, poverty

and disease; fix global warming, and establish world peace.

† It will enslave humanity.

† It will shut down the whole thing, destroy humanity and start all over again with a single amoeba.

It’s basically up to Carol to demonstrat­e to S.I. that humans are worth saving.

It’s virtually impossible forMelissa McCarthy to star in a comedy and not garner some laughs, and the capable supporting cast provides a chuckle or two here and there.

“Superintel­ligence” goes heavy on the pop culture references, with Octavia Spencer, “Law & Order” and Jerry Orbach, Capt. Kirk, Adam Levine and “Hoosiers” getting name-checked, not to mention Carol singing “OneWeek” by the Barenaked Ladies not once, but twice, which is at least one time too many. Like Carol herself, this movie is the very definition of something average.

 ?? HBOMAX ?? Melissa McCarthy plays a kind-hearted volunteer for manyworthy causes in “Superintel­ligence.”
HBOMAX Melissa McCarthy plays a kind-hearted volunteer for manyworthy causes in “Superintel­ligence.”

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