Chicago Tribune (Sunday)

Unveiling an evolved ‘The City Was Yellow’

- By Howard Reich Howard Reich is a Tribune critic. hreich@chicagotri­bune.com Twitter @howardreic­h

Last year, the Orchestre National de Jazz in France invited drummer-impresario Mike Reed to compose a suite of pieces dedicated to Chicago, where he’s based.

But Reed — founding director of the Pitchfork Music Festival, creator of the Constellat­ion arts center and managing partner of the Hungry Brain music venue — believed he had a better idea.

“I said, ‘That’s music that’s already been written,’ ” he explains.

Meaning that there’s already a vast body of repertoire written by Chicagoans for and about the city.

“I’ve been working for the last couple of years — not in deep commitment, because I’ve got a bunch of other things going on — but, essentiall­y, I’m collecting a bunch of compositio­ns made in Chicago from 1980 to 2010,” adds Reed.

“Essentiall­y, I’m trying to collect a ‘Real Book’ created during that time period,” says Reed, referring to collection­s of standard tunes that musicians sometimes use.

“For a few reasons. One, because I’ve been in other cities, like Amsterdam, where they have a project like that, and I thought it was really cool.

“If you’re in New Orleans, there are 20 or 30 local anthems that everybody has got to know. Whether you’re a reggae band or a punk-rock band or a jazz band, you have to know those tunes. I don’t think it will ever get to that point (in Chicago). It’s a different type of culture and community.

“But what if we had these little books: Let’s play this Hal Russell piece, or this Malachi Thompson tune, or this Jeff Stitely piece. It becomes a common language, a set of tunes that we all share and know.”

Inspired by this idea, Reed created for the Orchestre National de Jazz “The City Was Yellow: The Chicago Suite,” the ensemble augmented to include Reed and Chicago colleagues.

So when Hyde Park Jazz Festival artistic and executive director Kate Dumbleton invited him to participat­e in this year’s event, he suggested an evolved version of “The City Was Yellow,” which he will unveil Sept. 29 in the University of Chicago’s Logan Center Performanc­e Hall.

“I wanted to see if I could restage this in a place where the musical pieces of it hopefully will be meaningful to musicians,” says Reed.

“I’m going to change it a little from France. There are things I will tweak. I’m waiting on (former Chicagoan) Nicole Mitchell to get me something.”

Reed’s efforts to build this body of made-in-Chicago work have been underwritt­en, in part, by a $50,000 United States Artists Fellowship Award he received in 2016. He estimates that he’ll ultimately gather 50-75 tunes. And he believes he knows what will happen once he has done so.

“People will say: Why isn’t so-and-so in here?’ ” notes Reed.

“If people start saying that, then we’ve done the job. Because, yes, we should be talking about all those tunes: Go get them!

“I don’t have to be comprehens­ive. It’s for everybody else to dig in and investigat­e.”

How all of this translates into a concert performanc­e won’t be known until Reed and friends perform at the Hyde Park Jazz Festival. But considerin­g that he’s working with originals by guitarist Jeff Parker (a former Chicagoan), saxophonis­t Edward Wilkerson Jr., cornetist Rob Mazurek, reedist Geof Bradfield and himself, among others, it’s clear that “The City Was Yellow” will encompass a wide stylistic range.

“I’m trying to make a concrete set,” says Reed of the forthcomin­g performanc­e. “Some of the music is different: straightah­ead stuff, experiment­al stuff. I’m trying to have a really nice set of music that flows together.”

As for his pivotal role as Chicago arts presenter, “When I got in the game of putting on shows, it was out of a need — we had to find a place to play, because we needed a gig, and there weren’t a lot of places.

“Fast-forward now, 20 years later, there’s a lot of stuff going on, a lot of creative music series.”

A significan­t measure of the credit goes to Reed.

Mike Reed and colleagues perform “The City Was Yellow: The Chicago Suite” at 7:30 p.m. Sept. 29 in the University of Chicago’s Logan Center for the Arts, 915 E. 60th St., during the Hyde Park Jazz Festival; visit www.hydeparkja­zzfestival.org.

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