Unscripted marriage scenes
Mandy Patinkin and Kathryn Grody’s charming, irreverent videos filmed by son in pandemic have led to unlikely social media stardom
Mandy Patinkin and Kathryn Grody have been together since their first date nearly 43 years ago, a giddy daylong romp through Greenwich Village, New York, that began with brunch and ended with them making out on a street corner. “I’m going to marry you,” he declared. “You’re going to get hurt, because I’m not going to marry anyone,” she replied.
Their wedding was two years later, in 1980. But like many long-term couples, their partnership has thrived in part because they are away from each other so much. Grody, 74, is an Obie Award-winning actor and writer; Patinkin, 68, finished the final season of “Homeland” last year and spent the end of 2019 and the beginning of 2020 on a 30-city concert tour.
In March, they left Manhattan for their cabin in upstate New York and embarked, like so many of us, on something radically different: months of uninterrupted time together. The result is a matter of public record, because scenes from their marriage — in all its talky, squabbly, emotional, affectionate glory — are all over social media, courtesy of their son Gideon, 34, who started recording them for fun and then realized that there was a vast demand for Patinkin-related content.
For months, people have scrolled through Twitter, Instagram and TikTok to watch Grody and Patinkin debate, declaim, snuggle, bicker, horse around, play with their dog, Becky, obsess about politics and display their (lack of ) knowledge about such topics as text-speak and the New York pizza rat. More recently, the world has followed along as they got their first doses of the vaccine (“one of the few benefits of being old,” Patinkin wrote).
Now, as they near the first anniversary of all that togetherness, they say that except for desperately missing their son Isaac, who lives in Colorado and recently got married, they feel lucky to be together. “There’s no question,” Patinkin said. “Being with my family holed up for 11 months has been one of the true gifts of my life.”
Do they plan to turn their unlikely social media fame into a family sitcom or reality TV show? No, says Gideon, although they have gotten endless inquiries.
After the first few videos in the spring, Grody exhorted Gideon not to portray them simply as an “adorable older couple,” she said. “You have to get some of our annoyance in there,” she told him.
What annoyance? In dueling interviews, the couple outlined the many ways they irritate each other. Patinkin hates the way his wife amasses old newspapers, like a hoarder. Grody hates how, when she fails to answer her husband’s calls, he redials incessantly — three, four, five times — until she picks up. She likes podcasts; he likes rewiring the house. She is a “social maniac,” Patinkin said; he “likes humanity in general but very few specific people,” Grody said.
The response was so positive, with people posting that the couple reminded them of themselves or their parents or just brought joy at a dark time, that Gideon now advises other young adults confined at home to embark on similar projects.
Mystifyingly to them, some of their videos have been viewed more than 1 million times.
“I don’t understand this stuff,” said Grody, who on one video can be seen trying to explain what she thinks TikTok is: “a communication tool” that encourages “young people to meet various kinds of other young people.”
All the while, Gideon kept filming, adding new nuances to what has turned into a portrait of a complex marriage.
“There have been times during this whole period — sometimes I don’t even know what triggered them — there are times when I wake up, and I find myself weeping, and she holds me, and no words are spoken,” Patinkin said of his wife.
“I married a woman who knew a guy was nuts, and she has loved me and stood by me and educated me and politicized me,” he said.
Or, as Grody said: “I used to say that I was supposed to marry a rock so I could be the lunatic, but instead I married a lunatic, and I’ve had to be the rock.”
They have separated twice in the course of their marriage: once for six months, the other for eight months.
“We spoke to each other every day; we saw each other every day,” Patinkin said. “We couldn’t be apart.”
“It was ridiculous, to tell you the truth,” Grody said. “I would say, ‘Don’t you know we’re supposed to be separated?’ As difficult as our problems were, it was far more difficult to be without each other.”
They love describing how they met. They told the story in separate interviews, each observing that the other would focus on totally different details.
Her version includes noticing her future husband in a 7UP commercial, circa 1970, a full eight years before they met. She then noticed him again in 1975, in his debut theater performance — the premiere of “Trelawny of the Wells,” which also starred Meryl Streep, Mary Beth Hurt and John Lithgow. She found the young Patinkin so appealing from afar that she turned to her then-boyfriend and said, “He’s my type — what am I doing with you?”
Patinkin’s version includes how he went to her house for dinner soon after their fateful initial brunch and found that, living in a tiny walk-up in Little Italy, she stored her sweaters in the oven. Misfollowing a recipe, she served him chicken covered in raw bacon.
“I felt that I had lost my mind,” he said. “I was knocked out by her.”
Patinkin brought up “The Princess Bride,” in which he played Inigo Montoya, a swordsman trying to avenge his father’s death — and which, at heart, is about the search for true love.
“I have found true love,” he said, “and first and foremost, I have it with my wife.”
Grody feels the same way. “When I look at Mandy, I see all of the Mandys I’ve ever known, from the person he was then to the person he is now,” she said. “I’m still in love with his face.”