China Daily Global Weekly

Cultural landmark set to rise in SAR

Hong Kong Palace Museum will house more than 900 treasures from Beijing, director says

- By KATHY ZHANG in Hong Kong kathyzhang@chinadaily­hk.com

The Hong Kong Palace Museum, a future cultural landmark of the special administra­tive region, will play a crucial role in art and cultural exchanges between China and the rest of the world, with a host of joint exhibition­s that include exquisite art treasures, the museum director said on Oct 26.

“We will take over the building in December after the completion of the constructi­on work in November, and the museum is set to open in July 2022,” Louis Ng Chi-wa said.

The informatio­n came during a media tour of the Hong Kong Palace Museum — the HK$3.5 billion ($450 million) project in the West Kowloon Cultural District — on Oct 26. The visit is one of the series of events that seek to highlight China’s engineerin­g prowess and the beauty of Chinese architectu­re.

As part of the series of events, a Chinese-mainland delegation comprising the nation’s top engineerin­g experts and media representa­tives began a six-day trip in Hong Kong on Oct 25.

Ng said the Hong Kong Palace Museum is expected to house more than 900 artifacts from the Beijing Palace Museum’s national treasures — 166 of which are first-class cultural relics of China — after the museum opens to the public.

“Our plan is that we will arrange exhibition halls, introduce some multimedia programs, and ensure we have a stabilized environmen­t for exhibition­s by April next year, and objects from the Palace Museum will be shipped to Hong Kong (from Beijing) in May,” Ng said.

Looking ahead, Ng said that the Hong Kong Palace Museum will enhance cooperatio­n not only with museums on the Chinese mainland, but also with those in the rest of the world. The museum is the first cooperatio­n project of the Palace Museum in Beijing outside the mainland.

Noting that the new museum will make promoting Chinese culture and history education in Hong Kong a priority, Ng said that the museum will have partnershi­ps with schools and educationa­l organizati­ons to bring Chinese culture to different communitie­s.

To showcase Chinese aesthetic characteri­stics, the main building of the museum adopted a large number of high-precision cantilever upsidedown structures to form a fair-faced concrete exterior wall with a slope of up to 1:3. The total area of the exterior wall is 11,000 square meters.

“Such a shape and scale is unique in the world, which also means this is extremely difficult to construct,” Wang Yong, assistant general manager of the Building Constructi­on Department at China State Constructi­on

Engineerin­g (Hong Kong), told the media on Oct 26.

Behind such a challengin­g museum project, CSHK — the contractor of the project — has helped ensure the constructi­on goes smoothly, despite the city being hard-hit over the past two years by the 2019 social unrest and the COVID-19 pandemic.

“We incorporat­ed technology into the building’s constructi­on process,” Wang said.

CSHK adopted advanced technology throughout the entire project

cycle to strengthen the constructi­on’s quality and efficiency, as well as to improve the constructi­on site’s safety and environmen­t, Wang said. The tech includes building-informatio­n modeling, artificial intelligen­ce management, augmented and virtual reality, and an intelligen­t constructi­on site system, he added.

Wang also said he believes that after the museum opens its doors to the public, it will play a positive role by connecting China and the rest of the world through art and culture.

 ?? PHOTOS BY CALVIN NG / CHINA DAILY ?? A worker passes by the front gate of the Hong Kong Palace Museum on Oct 26 in West Kowloon Cultural District. The building’s shape showcases Chinese aesthetic characteri­stics of “the top is wide, and the bottom is gathered, the top is virtual, and the bottom is solid”.
PHOTOS BY CALVIN NG / CHINA DAILY A worker passes by the front gate of the Hong Kong Palace Museum on Oct 26 in West Kowloon Cultural District. The building’s shape showcases Chinese aesthetic characteri­stics of “the top is wide, and the bottom is gathered, the top is virtual, and the bottom is solid”.
 ?? ?? Employees of China State Constructi­on Engineerin­g (Hong Kong) demonstrat­e how augmented reality technology helps quality inspectors learn about a building’s water and electricit­y systems, ventilatio­n system, etc on Oct 26 in an exhibition hall of the Hong Kong Palace Museum.
Employees of China State Constructi­on Engineerin­g (Hong Kong) demonstrat­e how augmented reality technology helps quality inspectors learn about a building’s water and electricit­y systems, ventilatio­n system, etc on Oct 26 in an exhibition hall of the Hong Kong Palace Museum.

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