China Daily Global Edition (USA)
Art gives young Latin Americans a deeper look at today’s China
These exchanges have met all expectations and even surpassed them.”
One of Mexico City’s most venerable museums on Friday invited the public to a game of jianzi, a traditional Chinese national sport known in English as Chinese hacky sack.
“Come this weekend,” the San Ildefonso Museum said to its Twitter followers. “We challenge you to participate in the oriental game jianzi, every Saturday at 1 pm.”
Kicking a colorful and feathered shuttlecock in the air without the use of hands is a popular pastime in China, but in Mexico it is a rare sight, or at least used to be one before the 2016 Year of China-Latin America Cultural Exchange.
Over the past year, Latin Americans have had the chance to appreciate Chinese art, music, dance, operas and even recreational games like jianzi.
The San Ildefonso, which is hosting one of the year’s landmark exhibitions, Masterpieces from the National ArtMuseum of China, is also offering a series of talks on various aspects of Chinese culture.
In October, Mexican archaeologists uncovered thousands of fragments of a 400-year-old shipment of Chinese “export-quality porcelain” long buried in the Pacific port city of Acapulco, revealing the rich history of ties between China and Latin America.
The Year of China-Latin America Cultural Exchange introduced a new and modern China to younger Latin Americans.
“As you wander through the first rooms, you realize that Chinese contemporary art is not really how you had pictured it,” Mexico’s monthly lifestyle magazine Gatopardo writes of Masterpieces.
Wu Weishan, a sculptor and director of the National Art Museum of China, says the exhibits showcase “the most representative works by the best artists of contemporary China”.
“China’s fine arts draw experience from Western arts in the search for transformation, but they also inherit tradition,” saysWu.
“What Chinese and Mexican cultureshave incommon is that both are pursuing innovation while trying to preserve tradition. That practice creates a virtuous
expert in international relations at Mexico’s National Autonomous University
Tannia Luna, artistic environment.”
The exhibition, which runs throughFeb 19, also features the highlights of the NAMOC’s collection, which includes such traditional folk arts as intricate shadow puppets and paper cutouts.
Masterpieces, the magazine Gatopardo says, offers “a unique opportunity to see a collection of artwork that helps to stop stereotyping a culture and an era ... as well as an opportunity to strengthen the union between two cultures, asWu said.”
As part of this year’s activities, art and artists traveled in both directions. They brought Latin American art to the Chinese cities of Beijing, Shanghai and Shenzhen, and the provinces of Jiangsu and Guangdong. And they took Chinese art to such countries as Colombia, Venezuela, Ecuador, Argentina, Brazil, Chile, Cuba, Costa Rica, Peru andMexico.
Tannia Luna, an expert in international relations at Mexico’s National Autonomous University, says the Year of China-Latin America Cultural Exchange has strengthened the friendship and cooperation between the two regions and ushered in a new and more fruitful phase of bilateral ties.
“These exchanges have met all expectations and even surpassed them,” says Luna, and as a result “this new China-Latin America relationship goes beyond political and economic negotiations”.
This dynamic exchange is poised to continue.
To celebrate 45 years of diplomatic ties, 2017 has been declared as the Year of Chinese Culture in Mexico, featuring a packed calendar of events and cross-cultural exchanges.