China Daily Global Edition (USA)

Subsidies keep ancient music safe and sound

- By CAO YIN in Aksu, Xinjiang

While many young people in Aksu are finding jobs in textile factories, some are earning a living by helping to keep alive the traditiona­l sound of the Xinjiang Uygur autonomous region.

Uygur muqam isauniquet­ypeof music developed during the Tang Dynasty (618-907) that has 12 sets of melodic formulas and can be performed by soloists or ensembles.

Adil Abula has studied the art for a decade and regularly performs at a tourism resort in Aksu’s Awati county.

“I’ve been addicted to the music since I heard my uncle sing it when I was a child, but I never thought I could be paid by performing it,” said the 30-year-old musician.

As part of its heritage protection efforts, the county government pays musicians a subsidy of 300 to 1,000 yuan ($45 to $150) a month — depending on their skill level — toencourag­ethemtosha­rethetradi­tional art.

“In other words, we can earn additional money by giving muqam performanc­es at tourist spots, like museums and cultural theme parks, as well as in other areas of China,” Abula said.

Abudulkade­er Mussar, 74, who taught Adil, welcomed the authoritie­s’ efforts to protect this ancient art form and said he has agreed to

Maximum monthly amount provided by Awati county to musicians to encourage them to perform the traditiona­l art

increase his appearance­s at visitor attraction­s.

“It’sagoodwayn­otonlytost­imulate employment, but also to preserve the Uygur people’s music treasure,” he said.

For many years, muqam was in danger of disappeari­ng because it is difficult to perform, he added, “but four years ago, when the central leadership highlighte­d the heritage of traditiona­l arts, it was given a new lease of life.”

Today, Mussar, along with more than 70 other top musicians from Awati, regularly tour the region as well as other provinces to give performanc­es and spread the sound of Xinjiang.

In the past, he said, young people used to see the life of a muqam musician as hard, but thanks to the financial support and other cultural preservati­on efforts, that is no longer the case.

“During the farming seasons, I grow cotton,” Abula said, “In my sparetime,Icangetane­xtraincome by singing my favorite muqam.”

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