China Daily Global Edition (USA)

Symphony orchestras gain ground in China

- By ZHANG KUN in Shanghai

The number of symphony orchestras have ballooned in China over the past few years, according to China’s Symphony Developmen­t Foundation.

Chen Guangxian, director of the foundation, said that there were around 30 profession­al symphony orchestras in China five years ago, with the number growing to 72 as of last year.

Chen was speaking at an internatio­nal forum on the developmen­t of symphony orchestras in China at the Shanghai Oriental Art Center (SHOAC).

The forum was a platform for dialogue for the directors and conductors of more than 10 orchestras in China and the leaders of the Philadelph­ia Symphony.

Last year, SHOAC signed a five-year strategic deal with the Philadelph­ia Symphony. On May 26, the symphony gave its fifth performanc­e at SHOAC.

According to Lei Wen, general manager of SHOAC, an increasing number of Chinese orchestras have been performing in China’s theaters.

During the 2016-17 show season, 10 Chinese symphonies concerts.

During the forum, Allison Vulgamore, president of the Philadelph­ia Symphony and Ryan Fleur, the executive vice president, shared the 117-year-old company’s experience in planning concerts and show seasons, how it engages audiences and its management approach.

Tong Ming, director of the presented 16 Ningbo Symphony Orchestra of Zhejiang province, was also in attendance to speak about the company’s efforts in recent years.

“Our musicians would reach out to communitie­s, enterprise­s and libraries and give free lectures about classical music. They would go on the stage to explain a piece before giving performanc­e, and interact with audiences through online discussion groups,” said Tong.

“We were honored to play at the Chopin Competitio­n for Young Pianists last year. We played accompanim­ent for the contestant­s and often had to play the same piece many times. The collaborat­ion with soloists and repeated performanc­es was exactly what we needed as a young orchestra, though an establishe­d company may find it unacceptab­le,” she added.

While each province has its own orchestra, a growing number of private symphonies have been emerging in China too. Chen attributed the rapid growth of symphony orchestras in China to the cultural developmen­t of Chinese people, as well as increasing support from the government.

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