China Daily Global Edition (USA)

Something to write home about

- By DENG ZHANGYU

When Chen Hong refused her colleagues’ invitation for a party after work, explaining that she had a calligraph­y class to attend, her colleagues were surprised and wanted to know why she was learning the ancient writing style.

Wearing ripped jeans, her hair dyed light yellow, the 23-year-old accountant, who works in Beijing, says she renewed her childhood interest in calligraph­y six months ago.

“I spend an hour or two on calligraph­y after work at home to calm myself and cultivate my mind,” says Chen, who also loves playing video games, going to karaoke bars and shopping with friends.

Back then, she thought it was boring but now she says she finds it interestin­g.

“The world runs so fast. I try to slow down with calligraph­y,” she says.

Chen, who was forced to learn calligraph­y from her father when she was a little girl, is one of an increasing number of Chinese people who are turning to traditiona­l culture in pursuit of spiritual peace and enjoyment in recent years.

Ma Di, a manager in a real estate company in Beijing, says that his lifestyle changed since he embraced calligraph­y one year ago.

The 34-year-old goes to the gym regularly and likes to play snooker in his spare time. However, he says he likes the serenity he feels when doing calligraph­y.

“I think calligraph­y is a good way for me to calm down after a day’s work,” explains Ma of his reason to learn this art which many of his friends think is for old people.

“Before I learned calligraph­y, I knew little about our culture and history,” says Ma, adding he plans to spend more time learning about Chinese culture, as practicing calligraph­y sparked a strong interest in it.

To get into the spirit of it, he wears a traditiona­l costume at home, and he has set up a separate area with tradi-

The world runs so fast. I try to slow down with calligraph­y.”

23, who practices traditiona­l Chinese calligraph­y as a main hobby to achieve a serene mood in the hustle and bustle of the modern world.

Chen Hong, tional Chinese wood furniture where he drinks tea instead of coffee.

Li Xiaoya, CEO of Hanxiang, a calligraph­y training company in Beijing, says the number of adults learning calligraph­y is increasing.

Women who learn calligraph­y are often 20 to 30, while the men are more than 40 years old, says Li. “They all want to cultivate their minds through calligraph­y,” she says.

Li Xiaoyang, a government officer in Beijing, paid about 7,000 yuan ($1,032) for a yearlong calligraph­y course.

The 31-year-old mother of a 4-year-old boy usually spends some time writing calligraph­y after playing the drum with her son. She also likes yoga and running, which are popular among mothers of her age in China.

Unlike some mothers who spent time doing online shopping and watching TV dramas, Li Xiaoyang says she likes to sit down reading books. But recently, she has taken to calligraph­y.

“I thought it was just another kind of handwritin­g, but the more I practice, the more I realize it is much more than that,” she says.

She says calligraph­y needs a good knowledge in literature, history and philosophy to get some achievemen­t in it.

“It’s a lifetime’s practice,” Li Xiaoyang says.

When she posts her calligraph­y work on social media, she receives lots of likes and much praise for how graceful the characters look. “I now want to explore more Chinese culture,” she says.

 ?? NA JIA / FOR CHINA DAILY ?? An increasing number of adults are taking to Chinese calligraph­y to cultivate their minds.
NA JIA / FOR CHINA DAILY An increasing number of adults are taking to Chinese calligraph­y to cultivate their minds.

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