China Daily Global Edition (USA)
Tale of 22 women preyed on by Japan’s army
Twenty Two has already set many records for a documentary film. When the film’s financer withdrew because its failure was almost “predictable”, the director took the baton. When the filmmakers could not pay the distribution and publicity expenses, 32,099 people crowdfunded it through the internet. When it was not faring well on the cinema circuit, netizens “crowdfunded” it again, making it the fourth-most popular summer release, and raising its box office revenue to about 150 million yuan ($22.51 million) in 10 days.
Shot three years ago, the documentary records the daily lives and memories of the last 22 women forced into sexual slavery by the Imperial Japanese Army during its occupation of China who were still alive on the Chinese mainland. There were about 200,000 such women in China.
About 4 million people have watched the film in cinemas, with many literally crying, but a greater number lost in thought in their seats only for the sweepers to bring them back to the present. For the audience, the film also provides some perplexing moments when the women sew self-mocking humor into the fabric of their stories — people cannot quite fathom how to react to such black humor.
How did the women endure the horrific crimes perpetrated by the Japanese invaders? How did they manage to fight back those unbearable memories throughout the rest of their lives? How did they live with the discrimination, even humiliation, strangers inflicted on them? Where did they get the strength to do so? These are some of the questions that people have been haunted by after watching the film.
Twenty Two wounds had died over the past 70-odd years and none of the “violators”, scores of them in one day, nor the Japanese government would turn up to apologize for their heinous crimes.
They harbor no hatred for anyone. At the end of the film, they pray for eternal peace between China and Japan, because “when war comes, people always die, be it Chinese or Japanese”.
Now that the film has become a box office hit, many people have suggested changing “comfort women” to “sex slaves” subjugated by the Imperial Japanese Army. That may make sense, because the term “comfort women”, coined by the Japanese to cover up its crime, could mislead many to believe these women ventured into it to earn a living, as the Japanese government still claims.
But these women have reached an age where they can neither memorize nor do they care about new terms. None of the 22 women in the documentary says “comfort women” in Chinese. They only use the Japanese term for that.