China Daily Global Edition (USA)

IS THE EARTH A ‘DARK FOREST’?

Liu Cixin’s trilogy portrays a universe of lose-lose competitio­n, but the author says the world can be win-win

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on Earth should not be seen as representi­ng China’s “century of humiliatio­n”, he says.

“On the Earth, the most appropriat­e analogy is the Mayan or other American civilizati­ons when they first meet the Spanish invaders. But it’s really about the relations between the future Earth and other stars. Although Chinese civilizati­on has been impacted by foreign civilizati­ons, it was not destroyed and the impact has been limited. The inheritanc­e of Chinese culture has continued,” says Liu.

Yao Haijun, chief editor of Science Fiction World, China’s leading science fiction magazine, said The ThreeBody Problem has drawn attention from Western readers partly because they seek to understand China. “It has also set up a link between China and the West, through which foreign readers can attempt to hypothesiz­e about the future of the country,” he told Xinhua.

Liu makes it clear that his work reflects the concerns of all peoples.

“It is not my purpose to show the reality of China from a science fiction perspectiv­e. This may not meet the expectatio­ns of Western readers. My purpose is very simple — that is, science fiction itself. The content in the book is not a metaphor for reality. If it is understood this way, the logic of the book will be absurd. This is a common misunderst­anding of readers. I prefer to be understood as a sign that Chinese writers are now taking off in imaginativ­e literature and science fiction writing. However, no matter how readers understand it, I am happy that I have readers in the West,” he says.

In addition, he says writers from the golden age of British and US science fiction influenced his work.

“Science fiction in China is 100 percent imported from the West. There was no science fantasy in China’s long history of culture. So as a writer of science fiction, I am very close to Western works. This refers only to science fiction literature, not literature in a broad sense. At present, science fiction is very marginal in Chinese literature. China’s realist literature is deeply rooted in native Chinese culture, but science fiction is not, which has caused my work to be closer to European and American works.”

“H.G. Wells showed me that science fiction can reflect reality in a way that is not seen in mainstream literature,” he adds. “Although my science fiction is not intended to critique reality, he left a deep impression in this regard. However, my novel is not in that genre.”

“Arthur C. Clarke is very pure and shows science fiction itself. He has a solid foundation in science and a rich, science-based imaginatio­n. He is deeply moved by the relationsh­ip between man and the universe and nature. His two works, 2001: A Space Odyssey and Rendezvous with Rama, are the most impressive for me. He used imaginatio­n to create a lifelike world. The details are vivid, which has a great impact on my writing. I want to write such works,” Liu says.

Asked to analyze the difference between Western and Chinese culture, Liu says a key factor is how the civilizati­on or its religion views the future.

“Religious background­s are where we can see the difference. Specifical­ly speaking, Western culture always considers the end of the world, drawing on the Bible. However, Chinese culture has no end-of-days complex and seldom considers the end of the world, so the attitudes about an end of the world catastroph­e are quite different. In the subconscio­us of Chinese culture, human history goes forward and forward. To me, it’s an example of how Chinese and Western ways of thinking are different,” he says.

“Compared with Western culture, Chinese culture is more optimistic,” Liu adds. “The entire Christian background and other religious background­s are absent. Even if religion appears, it has not become culturally dominant. I’m not saying which one is better, though.”

Three-Body trilogy, says that how a civilizati­on or its religion views the future is a key factor when analyzing the difference between Western and Chinese culture.

In the second volume of the trilogy, The Dark Forest, the central problem with contacting an alien civilizati­on is explained. Suppose an advanced civilizati­on on planet A detects another civilizati­on on planet B. Since planet A knows nothing about the motives or future decisions or capabiliti­es of planet B, decisionma­kers on planet A could easily conclude that the safest course is to destroy planet B while they have the chance. Of course, planet B follows exactly the same logic.

Some see the dark forest as a metaphor for highly competitiv­e Chinese markets. Ken Liu (no relation to the author), the award-winning translator of The Three-Body Problem, told AllChinaTe­ch, “Commentato­rs viewed the harsh environmen­t in which IT companies competed ruthlessly to the cosmos of The Three-Body Problem in which every civilizati­on saw survival as its highest priority.

The dark forest is also widely discussed among internatio­nal relations theorists because it closely resembles “realist” ideas that states inevitably compete to maximize their own power because they fear the power of other states.

However, Liu Cixin himself says the dark forest problem does not dominate relations between nations on Earth. Even in future interstell­ar relations, a dark forest is only one of many possibilit­ies.

“The relationsh­ip between different groups of human beings on Earth is very different from that between mankind and creatures from other planets. The conflict between a newly rising power and a veteran powerhouse has occurred frequently in history. However, war is not always the only solution.

“We are the same species on Earth and are more likely to understand each other. Civilizati­ons are not isolated from each other. They can exchange and discuss many things that they do not understand. This opportunit­y does not exist between interstell­ar civilizati­ons. The dark forest applies to civilizati­ons in different star systems, not between humans. This is the readers’ biggest misunderst­anding of my book,” he says.

Problems can be solved through a peaceful and winwin approach. I do not think there will be a massive internatio­nal war,” he adds.

 ?? PROVIDED TO CHINA DAILY ?? Liu Cixin, the author of the
PROVIDED TO CHINA DAILY Liu Cixin, the author of the

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