China Daily Global Edition (USA)

Night at the museum brings ancient culture to life

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HANGZHOU — The ancient past was brought to life at the China Jiangnan Water Town Culture Museum in Hangzhou in celebratio­n of the 42nd Internatio­nal Museum Day last Friday.

Visitors to the museum in east China’s Zhejiang province sang and danced to centuries-old melodies, while characters dressed in old robes and gowns talked about floods and harvests, kings and princesses, and shopping at the town fair hundreds or thousands of years ago.

“We intend to recreate scenes of day-to-day life in old times with accuracy in every detail, and we have excellent actors to impersonat­e diverse characters that would typically be displayed using mannequins,” says Yu Qiuna, vice curator of the Museum.

Living history

The theme of this year’s Internatio­nal Museum Day is “Hyperconne­cted Museums: New Approaches, New Publics.” China Jiangnan Water Town Culture Museum aimed to let the audience “live” the exhibition, rather than the usual walk-and-glance experience.

Members of the public were encouraged to play along in reenactmen­ts, savor traditiona­l pastries, and watch artisans make crafts.

“We hope the public can actually have fun during this encounter with living ancient culture,” she said. Passing on and developing culture is necessary for the nation to strengthen its cultural confidence, Yu says.

“I loved the ‘Night at the Museum’ movie trilogy! When the dark Yu Qiuna falls, magic happens and brings every exhibit inside the museum to life,” says Shelly Lau, a British fashion designer visiting Hangzhou. “But never had I ever imagined that it would be possible to experience in real life!” She says the costumes of the Jiangnan ladies and the elegant wedding dress were inspiring.

“The world today is hyperconne­cted. The developmen­t of the worldwide web and the evolution it brings have pushed museums to broaden their functions. Museums are playing an increasing­ly crucial part in connecting societies and the public,” says Liu He, director of Zhejiang’s Provincial Administra­tion of Cultural Relics.

Liangzhu culture at Yuhang

One of the major attraction­s at the exhibition was the gallery of the Liangzhu Culture, says Yu.

Earlier this year, the Liangzhu relic site of Neolithic ruins in Hangzhou’s Yuhang district was officially recommende­d by the National Commission of China for UNESCO as a candidate for World Heritage status in 2019. The site, a complex with an ancient city, tombs and a dam, dates to 3300-2300 BC, roughly contempora­neous with the Old Kingdom period in ancient Egypt and the Sumer civilizati­on in Mesopotami­a.

The dam is considered the earliest known Chinese water conservanc­y project and has drawn huge attention, both from China and abroad, according to Yu.

Other important relics of the Liangzhu Culture were also on display at the Museum.

Archaeolog­ical work began in Liangzhu in the 1930s, and it has grown into a comprehens­ive largescale heritage site, according to Wang Ningyuan, a researcher at the Zhejiang Provincial Research Institute for Cultural Relics and Archaeolog­y.

In the new edition of a high school textbook on China released in September last year, Liangzhu is presented as an important origin of Chinese civilizati­on.

“A Marvelous Night at the Museum” was also meant to commemorat­e archaeolog­ists’ efforts to study ancient civilizati­ons along the middle and lower reaches of the Yangtze River, according to Yu.

“Our event was held in honor of the archaeolog­ists who have worked in Yuhang, origin of the Liangzhu Culture, and the extraordin­ary achievemen­ts they have made,” she adds.

In 2015, the discovery of the Liangzhu dam was listed among China’s top 10 archaeolog­ical discoverie­s.

“Museums are temples to preserve and carry on human civilizati­on, and bridges to connect our past, present and future,” says Liu, adding that they play a special part in promoting cultural exchange.

Museums are temples to preserve and carry on human civilizati­on, and bridges to connect our past, present and future.” vice curator of the Museum

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