China Daily Global Edition (USA)

France recognizes conductor with prestigiou­s honor

Xu Zhong given major award by culture ministry in Paris,

- Zhang Kun reports. Contact the writer at zhangkun@chinadaily.com.cn

Maestro Xu Zhong, president of the Shanghai Opera House, received the prestigiou­s Officer of the Order of Arts and Letters honor from the French Ministry of Culture and Communicat­ion on Dec 15.

According to Joan Valadou, the French consul general in Shanghai, Xu won the award “for his outstandin­g musical attainment­s, as well as significan­t contributi­ons to SinoFrench cultural exchanges and global cultural communicat­ion’’.

Establishe­d in 1957, the Order of Arts and Letters is one of the highest honors the French government can bestow onto people.

While many Chinese who have excelled in the field of art or literature have been awarded the “Chevalier”, only a few have been awarded the Officer.

The 52-year-old pianist-turnedcond­uctor is the first Asian musician to serve as the artistic director and chief conductor of the Teatro Massimo Bellini in Italy, and the first Chinese musician appointed as music director and chief conductor of the Israel Haifa Symphony Orchestra.

In his career, Xu has worn many hats, including the principal director of the Fondazione Arena di Verona in Italy, the president of the Shanghai Opera House, the first internatio­nal chair of opera representi­ng Asia at the Royal Welsh College of Music and Drama, and the external expert observer of BBC Cardiff Singer of the World in the United Kingdom.

Xu is currently busy with the rehearsal of Tosca, a coproducti­on by the National Center for the Performing Arts, the Shanghai Opera House and the Shaanxi Opera House.

He has composed an original opera titled Homeland, and recently conducted its concert version at the Nine Trees Future Art Center in suburban Shanghai’s Fengxian district.

He was also the music director and composer of the dance drama production White Snake, which premiered at the Shanghai Grand Theater in November.

The dance theater production featured a star-studded cast of awardwinni­ng dancers led by Tan Yuanyuan, the principal ballerina with the San Francisco Ballet.

Xuan Jing, with Wenhui Daily, comments on Xu’s compositio­n, saying that “he brought Chinese instrument­s such as pipa (the bamboo flute) and guzheng (Chinese zither) into the classical orchestra to create a rich and colorful set of music. You could find compositio­ns of waltz, tango and flamenco, as well as modern electronic music effects.”

The East-West fusion of music and internatio­nal aesthetics “display diversity to the extreme” and provide plenty of creative space for the choreograp­her, he adds.

Xu is now planning to take this dance drama to France.

“As a Chinese musician, I am very lucky to have won applause from all over the world,” says the musician. “I hope to draw ‘cultural bridges’ with my baton, so that more good music and operas from China will be showcased on internatio­nal stages to be heard, seen and liked by people across the world,” he says.

A global ambassador for classical music, especially for opera, Xu was named president of the Shanghai Opera House in 2016. He has since taken the company to many internatio­nal performanc­e arenas, including the London Coliseum, the Musikfests­piele Saar in Saarbrucke­n, Germany, the Saaremaa Opera Festival in Estonia, and the Dubai Opera.

He has also greatly expanded the company repertoire and helped improve the standard of opera performanc­es.

A new grand opera theater is under constructi­on in Pudong district, and the Shanghai Opera House will be the leading group providing quality opera performanc­es there.

“You can’t raise the bar for opera performanc­e overnight. It has to be achieved through continual efforts in producing quality works and nurturing of new talent,” Xu says.

The Shanghai Opera House was used to work primarily on Italian opera production­s. Meanwhile, a few production­s in German or French, the other two leading languages of classical opera, were performed at the opera house.

This changed significan­tly when Xu took over as its president as he made sure that vocal and diction classes were given at the company on a weekly basis.

These classes were uninterrup­ted even during the pandemic as the company resorted to holding them via internet conference.

As a Chinese musician, I am very lucky to have won applause from all over the world.”

In 2018, the company premiered a German production, Wagner’s The Flying Dutchman at the Theater Erfurt in Germany.

That same year, the coproducti­on of Lehar’s The Land of Smiles by the Shanghai Opera House and the Mupa Budapest was presented in Hungary to mark the 70th anniversar­y of the establishm­ent of diplomatic relations between China and Hungary.

In 2019, Xu conducted the Royal Philharmon­ic Orchestra for the opening concert of the China Night series at the Barbican Center in London. In the summer, he conducted opera Rabe’s Diary in Berlin and in Vienna, Austria.

In addition to these classic pieces, the Shanghai Opera House has been actively exploring new possibilit­ies with original Chinese opera, performing many Chinese operas including Thundersto­rm, The Wager and dance drama Early Spring in February to critical acclaim.

Next year, the Shanghai Opera House will collaborat­e with the National Opera of Bavaria to debut Wagner’s Lohengrin in Shanghai.

According to Xu, the internatio­nal opera community has witnessed a rapid growth in China’s audience for opera art, and has firm confidence for the Chinese market. This year, as China further lifted restrictio­ns on cross-border travel, a new chapter for internatio­nal communicat­ion will begin, he notes.

A native of Shanghai, Xu was born to a family of respected medical profession­als. He started to play the piano at 3 years old and was, at 16, admitted to the Paris Conservato­ry in France.

During his time in France, he won first prize at the 34th Maria Canals Internatio­nal Piano Competitio­n in Barcelona, and was awarded the top prize in piano by the conservato­ry upon graduation.

It was also at the Paris conservato­ry that he developed an interest in conducting.

Xu has since performed on the stage of the La Philharmon­ie de Paris, and conducted French masterpiec­es with the Orchestre de Paris.

In 2010, he was awarded the “Chevalier” of the Order of Arts and Letters, receiving the honor from the former French president Valery Giscard d’Estaing, who praised him as “the best interprete­r of French music in China”.

Xu Zhong, conductor

 ?? ?? Above: Conductor Xu Zhong takes the applause after an Orchestra de Paris concert at La Philharmon­ie de Paris, that performed works of Ravel and Rachmanino­v in 2019. He is expected to collaborat­e with the orchestra at the same venue in March.
Above: Conductor Xu Zhong takes the applause after an Orchestra de Paris concert at La Philharmon­ie de Paris, that performed works of Ravel and Rachmanino­v in 2019. He is expected to collaborat­e with the orchestra at the same venue in March.
 ?? ?? Right: Xu conducting an opera production in Shanghai.
Right: Xu conducting an opera production in Shanghai.
 ?? PHOTOS PROVIDED TO CHINA DAILY ??
PHOTOS PROVIDED TO CHINA DAILY

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