Closer Weekly

Carole Lombard

THE QUEEN OF HOLLYWOOD’S SCREWBALL COMEDIES MADE THE MOST OF HER TOO-SHORT LIFE

- —Louise A. Barile, reporting by Katie Bruno

New details about the Hollywood legend’s beautiful life and

untimely end.

At noon, three days after Carole Lombard died along with 21 others in a plane crash, the employees of all movie studios shared a moment of silence as “Taps” was played. In Washington, the Senate paused to hear a tribute lauding the actress for raising $2 million in war bonds a week earlier. President Roosevelt sent a telegram to her grieving husband, Clark Gable, calling Carole a friend and great patriot.

Carole’s death in 1942 at just 33 years old shocked the world and extinguish­ed one of Hollywood’s most luminous lights — both on and off screen. “I love life,” said the actress, who found her niche starring in the screwball comedies of the 1930s, including

My Man Godfrey and Nothing Sacred. “I get a kick out of everything. If I don’t love what I’m doing, I don’t do it.”

A former tomboy from Indiana, Carole moved west as a child and began acting early — but she didn’t hit her stride until she started doing comedies. “She was a natural ham and a very funny, spontaneou­s person,” Robert Matzen, author of Fireball: Carole Lombard and the Mystery of Flight 3,

tells Closer. Carole, he says, quickly became “the profane angel of Hollywood” for her outspoken, down-to-earth demeanor. “I’m always happy...I was born that way,” she said, adding the only things that upset her were “snobs” or directors who mistreated their crew. “I’ve walked off sets when things like that happen,” she said.

This willingnes­s to champion the underdog made Carole immensely popular on film sets. “She had friends on all the crews who would take care of her and light her carefully,” says Matzen, who explains that Carole bore facial scars from a serious car accident in her 20s. “She refused to let it stop her and became a star anyway.”

HOME ON THE RANGE

After a marriage to actor William Powell ended in divorce, Carole fell for Clark Gable, whom she co-starred with in 1932’s No Man

of Her Own. They were both Hollywood royalty — at her peak Carole earned more than $400,000 a year — yet they bonded over unpretenti­ous things. “They took these long expedition­s to hunt and fish,” reveals Matzen. “She learned how to handle a shotgun.”

Gable, who had married twice before, wed Carole in 1939 on a break from filming Gone

With the Wind, and the newlyweds moved to a ranch in then unfashiona­ble Encino, Calif. “They lived a peaceful life,” Michelle Morgan, author of Carole Lombard: Twentieth

Century Star, tells Closer. “Clark would putter around with his old cars and farm work, and Carole was quite happy to help out and look after her animals.”

Her perfect happiness was only marred by her inability to have children, a suspicion that Clark still fooled around, and the coming war. In the aftermath of Pearl Har

“With age there comes a richness... I love the idea of getting old.”

—Carole

bor, “she wanted Clark to enlist,” says Matzen, “but he was 40, so that’s how the bond thing started.” On a return flight from one of these fund-raisers, Carole perished on a plane that failed to clear the mountains outside of Las Vegas. “She didn’t trust Clark to be alone, and she wanted to get home quickly,” says Morgan.

Clark never got over her loss. “He would ride his motorbike around the Hollywood Hills with no care for safety,” says Morgan. Though he would marry twice more, his spark was gone. After his death in 1960, Clark was laid to rest next to Carole at Forest Lawn cemetery.

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 ??  ?? Though they divorced in 1933 after a twoyear marriage, she supported William Powell through a struggle with rectal cancer.
“She was a strong force in Clark’s life,”
says Morgan. “She made him
laugh.”
“She could have been Lucille Ball,” says Matzen, of Carole, who establishe­d her flair for comedy in 1934’s Twentieth Century.
The couple loved their quiet life on the ranch together. “It was the happiest time of her life,” says Matzen.
Though they divorced in 1933 after a twoyear marriage, she supported William Powell through a struggle with rectal cancer. “She was a strong force in Clark’s life,” says Morgan. “She made him laugh.” “She could have been Lucille Ball,” says Matzen, of Carole, who establishe­d her flair for comedy in 1934’s Twentieth Century. The couple loved their quiet life on the ranch together. “It was the happiest time of her life,” says Matzen.

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