Connecticut Post (Sunday)

Instructio­n from a Bassick alum

- MIKE DALY Michael J. Daly is retired editor of the Connecticu­t Post editorial page. Email: Mike. daly@ hearstmede­iact. com.

It was just possible, I thought, that Bassick High School alum John Ratzenberg­er — actor, author, Pixar voice veteran, “Cheers” know- it- all Cliff Clavin, carpenter, apprentice­ship advocate, Trump appointee and loyalist, and unblushing authority on most, if not all, subjects — might have an opinion on the plan to build a new Bassick on the campus of the University of Bridgeport.

Nothing ventured, nothing gained. Right? So, I took a shot, gave him a call and started to explain what was …

“Have the architect call me,” he said.

“Here’s what they should do. In the basement of that school they should have separate areas for all the standard trades — electricia­ns, carpenters, metal workers, plumbers. Keep the auto shop so the teachers can get their cars fixed for free. And you teach the English and science and whatever they teach in high school these days, upstairs.

“Then, the city, the state, some entreprene­ur, whoever, they buy some dilapidate­d buildings, like some of those beautiful old homes down there in the South End, and have the students from those trade classes redo them. Then the homes could be sold and the profit goes back into the school, or a scholarshi­p fund.

He took a breath and continued.

“It would be like having an apprentice­ship for four years. By the time those kids get done, they’ve got a skill and a career. You’ve changed their life. They have pride. You know I’m a carpenter. I can still go anywhere in the world and get a job the next day,” he said.

“When they canceled high school shop classes, the dropout rate went up 30 percent. That’s where the gangs come from. Kids have no options,” he said.

Ratzenberg­er, 73, lives in Rancho Mirage, a city of some 17,000 residents, in sunny Southern California.

Yes, of course, Ratzenberg­er is an actor. But his real mission in life remains unwavering: “I’m just trying to save Western civilizati­on,” he says. He is the author, with coauthor Joel Engel, of “We’ve Got it Made in America, a Common Man’s Salute to an Uncommon Country,” ( Center Street, 2006).

“You know, if every actor disappeare­d, well, our families would be sad. The rest of the country wouldn’t skip a beat. We’d sit around the campfire, tell stories, play a banjo, entertain ourselves with sock puppets, whatever.

“But if there are no electricia­ns, plumbers, truck drivers, civilizati­on grinds to a halt. Civilizati­on is the convenienc­e of driving on a road that’s smooth, being able to hire a profession­al to fix your water heater. Listen, no robot is going to fix your water heater,” he said.

Details regarding the new Bassick’s ultimate shape are still up for discussion. There’s been talk, for instance, of also having arts and culinary tracks.

The project has been rightly praised for the impact it will have on youngsters who might never have dreamed of or considered going to college. Spending four high school years on a college campus, with college students walking around, is definitely going to change some aspiration­s.

Ratzenberg­er’s idea sits fine with Michael Testani, superinten­dent of the Bridgeport school system.

“The mentality across the country continues to be ‘ college or bust.’ It’s not necessaril­y for everyone,” the superinten­dent said last week.

“My father was a union carpenter and I have friends who are electricia­ns. Incorporat­ing the traditiona­l trades is something I’ve thought about,” Testani said.

Whatever the final shape of the new Bassick, there is an even more important function in Ratzenberg­er’s view.

“For so many years — decades now — schools don’t teach how great America is anymore.

“What they teach is how bad America is. You see those cemeteries in Normandy and Arlington, they bring a tear to my eye.”

But as noted, skills are forever. “I remember watching my grandfathe­r make a rocking chair,” he said.

He chuckled. “I just finished making one for my granddaugh­ter.”

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