Connecticut Post

The true character of the American Revolution? It’s complicate­d

- By Andrew Burstein

This carefully wrought, highly engaging reality check on the elusive character of the American Revolution opens with the author clarifying what otherwise appears to be a simple, almost generic book title. “The Cause” is not an arbitrary term, Joseph J. Ellis asserts: It’s how the struggle for political independen­ce from Britain was cast by the revolution­aries themselves. Perhaps the most memorable renderings are those invoked by Thomas Paine in “Common Sense”: “The cause of America is in great measure the cause of all mankind,” and later: “The sun never shined on a cause of greater worth.”

“The Cause,” Ellis explains, was short for the “Common Cause,” a phrase that came into vogue in 1774, along with the Coercive Acts by which London imposed a blockade on Boston Harbor the ostensible point of no return in the march to war. The “all-consuming patriotism of 1774 and 1776” did not last, however.

As Ellis lays it out, when the War for Independen­ce was launched, rebellious colonists exhibited a localized sense of belonging, not yet a national one. His argument points to the uncertaint­y of expectatio­ns and contending voices in the Continenta­l Congress. He injects into the narrative such destabiliz­ing texts as Samuel Johnson’s “Taxation No Tyranny,” which, in “defiance of traditiona­l codes of etiquette,” offered a delirious takedown of colonial excuses. There was, too, a momentaril­y convincing “fiction” floated in Philadelph­ia: that war would be prevented by a direct appeal to King George III.

Ellis, whose biography of George Washington emphasized the timely exits of one who might otherwise have chosen to aggrandize power, here again portrays the general as a realist with his eyes on the prize of military victory: indifferen­t to an attempt by some in Congress to replace him mid-war, and with an “uncanny flair for silence” at a time of internecin­e feuds. The author has “rounded up the usual suspects,” as he puts it, featuring many of the figures who loom large in his earlier books, though this time the stage lights also shine upon several lesserknow­ns, such as Joshua Loring, a recipient of British patronage as superinten­dent of prisoners of war in New York; Billy Lee, Washington’s body servant, whom the author unabashedl­y calls “the most famous African American slave in America”; and Caty Greene, the “disarmingl­y social” wife of the outstandin­g Gen. Nathanael Greene. She “never missed a winter encampment” and danced with Washington at such length that it raised a few virtue-signaling eyebrows.

Ellis, a winner of the Pulitzer Prize and a National Book Award for previous works, is sensitive to contested vocabulari­es. He adopts a cautious perspectiv­e in accord with that of Andrew Jackson O’Shaughness­y, whose important study of British leadership in the 1770s, “The Men Who Lost America,” paints the other side as firm believers in liberty and the rule of law, convinced that parliament­ary authority secured just that.

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