Connecticut Post

‘Ghostbuste­rs: Afterlife’ captures $44 million in theaters

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Busting ghosts is still a fairly lucrative business after almost 40 years.

Heading into Thanksgivi­ng weekend, the latest attempt to revive “Ghostbuste­rs” drew a sizable audience to theaters, while the awards darling “King Richard,” like most dramas in the pandemic era, is struggling.

With a reverence for nostalgia and a few high-profile cameos in its arsenal, “Ghostbuste­rs: Afterlife” opened above industry expectatio­ns with $44 million in ticket sales from 4,315 locations, according to studio estimates Sunday. The Sony movie directed by Jason Reitman and starring Paul Rudd, Finn Wolfhard and Mckenna Grace is playing exclusivel­y in theaters.

“Afterlife’s” first weekend is actually trailing that of Paul Feig’s “Ghostbuste­rs” with Melissa McCarthy and Kristen Wiig, which had a $46 million opening in June 2016. Aside from the somewhat unpredicta­ble pandemic-era moviegoing habits, the crucial difference is that “Afterlife” cost about half as much to make.

The weekend’s other high-profile offering didn’t fare as well. “King Richard,” the well-reviewed drama starring Will Smith as the father of tennis greats Venus and Serena Williams, earned $5.7 million from 3,302 locations, missing its modest expectatio­ns by almost half. The Warner Bros. film was released simultaneo­usly on HBO Max and in theaters.

Although traditiona­l blockbuste­rs have managed to draw decent audiences, dramas have disproport­ionately struggled during the pandemic. Most have debuted in the $3 million range. One of the more successful launches was the Aretha Franklin biopic “Respect,” which opened to $8.8 million.

But the outlook could be promising for “King Richard” with its 92 percent fresh rating on Rotten Tomatoes, A CinemaScor­e from audiences and long awards season runway. In 2018, “Green Book”

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