Cottages & Bungalows

Create Your Dream Cottage: Everything you need to plan, decorate, remodel and update……

Choose beautiful furniture based on precise craftsmans­hip, respect for natural materials and simplicity of form and function.

- BY ANNE BRINK PHOTOGRAPH­Y COURTESY OF THOS. MOSER

Are you inspired by the designs and craftsmen of the past?

Do you hunt for furniture that reflects your love of quality handmade pieces and that will bring elegance and a traditiona­l, simple style to your cottage aesthetic? Consider the classic, stunning handcrafte­d furniture of Thos. Moser.

Simplicity in both form and function has long been their philosophy. “Every design we make is rooted in the basic preference for simplicity of form, precise craftsmans­hip and respect for natural materials,” says Aaron Moser, President and CEO of Thos. Moser. “We aim to achieve grace through proportion and simplicity, rather than embellishm­ent. The ornamentat­ion in our work derives from the exposed architectu­re of the furniture and the translucen­t richness of the wood itself.” He says the company’s mission is to build furniture that celebrates the natural beauty of wood, with simple, unadorned, graceful lines, and that is crafted for a long, useful life.

THE THOS. MOSER STORY

Thomas Moser (Aaron’s father) left college teaching in 1972 to restore the lost art of fine woodworkin­g by making one-of-a-kind pieces of furniture. He founded Thos. Moser, a company handcrafti­ng fine American furniture. His wife, Mary, managed the selling and finances of the company, while their four sons trained as apprentice­s in the shop.

Since 1972, the company has expanded its family of craftsmen until today it comprises some 70 craftspeop­le, who still hand make the line today. Aaron elaborates: “We have a wide portfolio of standard designs and also a dedicated part of the business focused on major installati­ons, called Thos. Moser Contact.” After several expansions, the company now has 90,000 square feet of work space in Maine and operates six showrooms located in Freeport (Maine), Boston, New York, Washington D.C., Philadelph­ia and San Francisco.

Thos. Moser designs “are not cutting-edge statements of current

1. SITTING PRETTY.

Thos. Moser offers a variety of stool designs, several of them pictured here in cherry. Their classic High Stool (on the left), based on the traditiona­l tractor-seat shape, is as sculpted on the bottom as it is on top, which contribute­s to its attractive look and its comfortabl­e feel. Other stools pictured (left to right after the High stool) include the Eastward, Bowback, Harpswell and Crescent High stools.

2. WHAT’S THE DIFFERENCE?

Here is the Eastward side chair made from two different woods: cherry (on the left) and walnut (on the right). Crafting the same piece of furniture from different types of wood can have different results; a new character can emerge. According to Chris Eramo, Interior Designer and Manager of Thos. Moser, Boston, “Regardless of the species (and there are no wrong choices), the only rule I apply when furnishing a dining room, breakfast room, kitchen area or bedroom is to choose one wood tone as the ‘star’ in each room. Each space, however, can … feature a different star.”

fashion, but rather a synthesis of what has been given us by craftsmen and designers of the past,” says Aaron. “My father’s early designs bore a strong resemblanc­e to Shaker, Queen Anne, Pennsylvan­ia Dutch and other antique forms. These designs are timeless and, unlike style or fashion, have relevance across cultures and centuries.”

HANDCRAFTE­D PROCESS

Each Thos. Moser piece is handmade, one at a time, by a master craftsman in the Maine workshop. They use sustainabl­y harvested North American hardwoods, primarily premium grade cherry from the Allegheny Plateau in Pennsylvan­ia. “We spend considerab­le effort in matching grain patterns in the boards used for each piece,” Aaron explains. “The art of board selection requires a singular ability to anticipate the evolution of a piece of wood, from the initial cutting of boards through the sanding, joinery and finish work.”

The company’s hand-rubbed oil finishes, though labor-intensive, allow for the natural aging process of cherry, which gives their pieces a rich and beautiful patina. “Each piece is signed by the craftsmen who made it,” says Aaron, “representi­ng our standard and upholding our promise to its quality and lifetime guarantee.”

SOURCES OF INSPIRATIO­N

Aaron describes the company’s inspiratio­ns this way: “A thread runs through Thos. Moser furniture that ties the discipline of classic Japanese joinery to the Arts and Crafts movement of a century ago. It also ties the untutored aesthetics of the American Shaker period of the 1830s and 1840s to the sophistica­ted and urbane German Bauhaus of the 1920s.”These design movements were all revolution­ary in their own time, but what they had in common was a respect for materials and the work of the human hand, also an aversion to ornamentat­ion and showy display.

“Some may say that cottage style represents the simplicity of the countrysid­e,” Aaron suggests. “And, while we do not consider our designs to fit into any one style, the clean lines and utilitaria­n aspect of our designs follow a similar notion: simplicity in both form and function. For instance, one of our most popular pieces, the High Stool, was inspired by the curvature in traditiona­l tractor seat.” Unlike most cottage-style furniture, Thos. Moser furniture is not painted, but rather allows the natural aging process of wood to give pieces a rich patina that only deepens over time.

HEIRLOOM-QUALITY FURNITURE

The simplicity of Moser design allows for a lot of flexibilit­y in where a piece can be used and how it can be paired with other objects. His advice on adding new furniture pieces to your décor? “Consider the heirloom quality of the furniture that you introduce into your home,” Aaron says. “With timeless design and excellence in craft, our furniture is conceived to offer service and beauty for generation­s of use. We pride ourselves on making quality objects that will become the antiques of the future.”

Looking at their strikingly simple and beautifull­y handcrafte­d pieces, we can’t help but think he’s absolutely right.

3. CLASSICS MADE MODERN.

This Moser table and chairs were designed “with a classic yet contempora­ry context in mind.” To form the continuous arms, 11 knife-cut slices of the same board just one-tenth of an inch thick (called flitch) are laminated together. Then each continuous arm is rasped, filed and sanded to smoothness.

4. STORIED DESIGN.

The pencil-post bed is a classic design based on the modular English field bed, made popular by British officers who transporte­d the beds by camel to remote colonial outposts. With four slender, unadorned posts designed to support a canopy and/or mosquito netting, these beds are handcrafte­d simply, but they can be modified to include netting or a canopy.

5. SHAKER ROOTS.

Reference to traditiona­l furniture forms has long been a practice of Thos. Moser. Here, in white oak, the form is the ladder back chair, typically associated with the Shakers of the 18th and 19th centuries. Named after the Hancock Shaker Village, these chairs include an armchair with a Shaker cotton-tape seat and a side chair with the option of a vegetable-tanned leather strap seat.

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