Craft Beer & Brewing Magazine

Superstiti­on Samba-hopped Mead

Superstiti­on Meadery

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Says Jeff Herbert of Superstiti­on Meadery, “Recently, we hosted Marble Brewery from Albuquerqu­e, New Mexico, to make a delicious collaborat­ion. Marble brought us fresh Samba hops, which contribute­d an amazing tropical-fruit character to this hopped mead.”

MEAD

Batch size: 5 gallons (19 liters) OG: 1.120

FG: 1.020

ABV: 13%

INGREDIENT­S

17 lb (7.7 kg) your favorite honey

3.5 gallons (13.2 liters) spring water

1 lb (454 g) Samba hops, dry hop on Day 2 (see below) Diammonium phosphate (DAP)

Fermaid K

Potassium carbonate

Potassium metabisulf­ite

YEAST 2 packs of Wyeast 4242 Fruity White Wine

DIRECTIONS

Day 1: Clean and sanitize everything. Mix the honey and water until thoroughly blended. Mix in 8 grams each of DAP and Fermaid K. Oxygenate the must using an oxygen stone and pure oxygen for about 5 minutes. (This high quantity of oxygen is needed to ensure complete fermentati­on.) Pitch the yeast.

On Day 2 of fermentati­on, after degassing for the day (see below), add the hops and mix thoroughly. During fermentati­on, the hops will float on top; mix them back in daily while mixing in nutrients and degassing.

Until the gravity drops below 1.080, add more oxygen daily. Until the gravity drops below 1.060, degas to pull CO2 out of solution. (Gently shake the vessel to begin releasing gas; gradually increase intensity until you can shake heavily without foam rising and it’s entirely flat. A stainless-steel drill aerator is a great option but go slow.) Also, until the gravity drops below 1.060, add 4 oz (113 g) each of DAP and Fermaid K and 1 tsp (5 ml) potassium carbonate daily.

After the gravity drops below 1.060, you do not need to manage daily anymore. Allow about 2 weeks for fermentati­on to complete. When it is finished, add 0.2 oz (6 g) of potassium metabisulf­ite.

Fining: Use the method you prefer and let it clear up as long as you’d like; if you can cold crash it, even better. Rest in secondary for 6–8 weeks, ensuring that fermentati­on is complete. Then bottle or keg and serve slightly chilled.

MEADMAKER’S NOTES

Managing fermentati­on is one of the keys to making great mead. The goal is to provide an optimal environmen­t that keeps the yeast happy and healthy with oxygen, nutrients, degassing, and slightly raising the ph. from all over the world,” Herbert says. “As soon as you can give the brand-new consumer a point of reference and help them taste what they’re tasting, they start to see where you’re going.”

He recalls an early favorite, a maple-syrup mead he brewed to echo recognizab­le fall flavors and accompany his family’s Thanksgivi­ng dinner. The original meads Herbert produced turned out to be enduring favorites; three out of five of Superstiti­on’s core brands were recipes he brewed within the company’s first few months. He wanted to combat the sentiment that honey wine is esoteric and intimidati­ng. A peanut-butter-and-jelly mead is certainly less so.

Bold flavors aren’t there to distract from less-than-perfection base mead, though. Herbert is relentless in his pursuit of what he calls “stress-free fermentati­on”: providing his wine and ale yeasts the ideal conditions to produce delicious mead free of off-flavors. Superstiti­on dials in not just fermentati­on temperatur­e but also ph, nutrient additions, and oxygen levels, striving to keep the ph above 3.5 where yeast are happiest. He also adds yeast nutrient and food-grade oxygen during the first half of fermentati­on; the former is easily available at homebrew stores, while the latter can be rigged together with a tank, some tubing, a regulator, and an aquarium diffusion stone.

“With mead, a piece of the lore is: You’re going to make this thing, and it’s going to have a lot of alcohol and probably some off-flavors, and it’ll be months to a year before you actually like it. But if you can create an environmen­t where the yeast is at its ideal ph, you realize you can create your mead without off-flavors right from the beginning,” Herbert says.

Though he’s constantly perfecting his products, Herbert is far from a cut-throat competitor. He believes a rising tide lifts all ships within the mead industry—not that there have historical­ly been many others. He and Jen were just the second and third members of the American Mead Makers Associatio­n, lending their voices to legislatio­n and media appearance­s that would benefit the industry as a whole. Throughout the past decade, Superstiti­on both contribute­d to and benefited from a growing American awareness of mead.

“With mead, a piece of the lore is: You’re going to make this thing, and it’s going to have a lot of alcohol and probably some offflavors, and it’ll be months to a year before you actually like it. But if you can create an environmen­t where the yeast is at its ideal ph, you realize you can create your mead without offflavors right from the beginning.”

At the same time, the meadery’s rise tracked with a craft-beer industry exploding in the number of breweries and their variety. Beer-rating websites and forums were a boon to Superstiti­on’s business, and the attention was entirely organic.

“I didn’t even know what Ratebeer was when someone told me we had one of the top-rated beverages in the world,” Herbert says.

It was 2013, and Superstiti­on had just won gold at the Mazer Cup—mead’s analogue to the Great American Beer Festival—for its now-super-popular dessert mead with white chocolate and raspberrie­s, called Berry White. A friend of a friend subsequent­ly asked Herbert for a bottle of it; that man would turn out to be a highly influentia­l Ratebeer user.

Word spread online and at bottle shares. Chance meetings and friends of friends continued to prove fateful. At a release-day party for Presidenti­al Stout at the Arizona Wilderness brewery in Gilbert, Herbert poured some of his mead for a visiting Danish brewer. That brewer was Mikkeller’s Mikkel Borg Bjergsø, and he liked the mead so much he invited Superstiti­on to the Copenhagen Beer Celebratio­n (now called the Mikkeller Beer Celebratio­n Copenhagen). There, a skeptical crowd eventually turned on to the mead Superstiti­on was pouring. Herbert found his pocket stuffed with business cards from internatio­nal brewers, importers, and bar owners. As of this year, Superstiti­on mead is sold in 36 countries, accounting for 5 percent of the meadery’s overall business. Berry White release-day events take place in more than 44 different locations across four continents.

“There are so many ancillary benefits to collaborat­ion, including the organic digital marketing you get from going and telling your story to like-minded people,” Herbert says. “That’s important when you’re talking about any small business growth because we don’t have millions in advertisin­g budgets.”

Though the business has grown at an impressive clip through the years, Herbert jokes that he doesn’t have a whole lot to show for it—besides the business. He and Jen remain Superstiti­on’s sole owners, reinvestin­g revenue back into projects such as a production facility in Prescott that opened in 2017 and most recently, a coming-soon downtown Phoenix restaurant that will be the country’s first to specialize in mead, cider, and food pairing.

The restaurant is crucial to Superstiti­on’s mission to get as many people as possible curious about mead. Pricing and packaging are another tool for achieving that goal; Superstiti­on has introduced smaller bottles as well as multipacks and individual cans of cider and mead to appeal to customers at different price points. While hardcore mead geeks won’t balk at spending $85 for one of Superstiti­on’s most-coveted bottles, new customers might be more comfortabl­e with a $4 can of cider.

Even the COVID-19 pandemic provided a chance for adaptation. In response to the outbreak and subsequent closures of bars and restaurant­s, Superstiti­on launched local delivery and a subscripti­on-style bottle club. A local Costco then put in a 20-pallet order to restock its supplies of Blueberry Spaceship Box cider as the store saw an increase in shoppers stocking up. Diversifyi­ng and fast-tracking new ways of reaching customers are helping Superstiti­on weather the storm and will hopefully continue to pay off in the long term (37 people signed up for the mead subscripti­on on its first day).

Herbet says evolution, both in terms of flavors and strategies for reaching customers, is what will continue to keep his meadery relevant into the future. He cites the success of Backseat Bingo, the first in Superstiti­on’s line of canned, milkshake Ipa–inspired meads that retail for about $5 each, when it launched in January. The mead, reminiscen­t of Orange Julius, sold faster than any product Superstiti­on had ever released.

“You’ve got to be modern, right? Most people still think of mead like Dungeons & Dragons and Ren Faire and yeah, there’s still a lot of that,” he says. “That’s cool and fine, but you’ve got to be modern, too.”

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