Daily Breeze (Torrance)

What South Asian Americans lost when Apu was silenced

- By Ali Latifi

“Bring Back Apu” is a new comedy special from Akaash Singh, the 38-year-old Indian American comedian who wants “The Simpsons” to revive the Springfiel­d Kwik-E-Mart owner. For nearly three decades, Apu was voiced by the white comedian Hank Azaria — until a backlash forced Azaria to give up the role.

In the 2017 documentar­y, “The Problem with Apu,” South Asian American comedians Kal Penn, Aziz Ansari, Aasif Mandvi, and Hasan Minhaj famously spoke of the ways Apu's character was weaponized to bully them when they were children. So why does

Singh want to bring back a character that has caused so much harm?

Singh says the cancellati­on of Apu was an “overcorrec­tion.” He is tired of flat, trite and one-dimensiona­l South Asian characters in media and entertainm­ent. And so am I.

When I watched “The Simpsons” growing up as an Afghan immigrant still learning about American culture, Apu always struck me as funny, but not vicious. He was also one of the few characters to have a real arc. Over the years, I saw him become more than just the onenote Kwik-E-Mart owner — he was an entreprene­ur, a father to octuplets, and even had a doctorate. Also, Azaria's voice, though put on, invoked true empathy during emotional storylines, like when Apu loses his store and faces deportatio­n. Apu's words may have been coming out of the mouth of a white man, but his story said something about the human condition that Springfiel­d's more clownish characters could not.

So, I found myself wondering if Apu was the right target. Should we be ashamed of Apu himself? As Singh points out in his debut standup special, much of the criticism around Apu relies largely on how white people have accepted or interprete­d Apu.

Take the anger around Apu's accent. What is driving it? Is it

actually about the white man behind it? Or is it the result of some internaliz­ed shame about an inflection that all too often has been used as a punch line?

“Is it because you think the accent is ugly?” Singh asked in a telephone interview before the special's February premiere. “I don't think it's ugly. My parents have one. I'm not embarrasse­d by it. The ones who think it's offensive, they probably are.”

Or maybe it's his occupation. Apu's small business may be seen as the embodiment of a 1990s cliché about Indian men owning convenienc­e stores, but with 80,000 Indians owning such establishm­ents in the U.S., these stores have actually financiall­y empowered generation­s of Indian families. His victory as a self-made entreprene­ur is something to celebrate, not feel pigeonhole­d by. It also makes him an even better

representa­tion of Indians in the U.S., specifical­ly. After all, from Alphabet's Sundar Pichai to Microsoft's Satya Nadella and Indra Nooyi, who stepped down as CEO of Pepsi in 2017, some of the biggest companies in this country have been headed by Indians.

Apu is also more than his business acumen. One of the character's most endearing qualities is how principled and loving he is. Before his marriage to Manjula, Marge makes a point of stating that Apu is Springfiel­d's most eligible bachelor. During the 1997 episode we see this in action at a date auction. None of the other single men muster even a single bid, but a date with Apu fetches nearly $1,000, collected from several single ladies. In other words, he is living it up as a bachelor when his mother arrives with news that his arranged marriage is happening. After deliberati­on, Apu chooses to honor his commitment, and comes out happier for it.

In Western media, which tends to depict arranged marriage as some kind

of archaic and problemati­c relic, Apu and Manjula's marriage is a rarity. Considered in this lens, Apu is a true depiction of a South Asian character with strong values and an entreprene­urial spirit.

The “canceling” of Apu feels like a short-sighted attempt to placate an audience rather than do the real work of keeping him on the show. Instead, what if we embraced the way that comedy is a vehicle to ask and confront these difficult questions of representa­tion?

After stepping down from the role of Apu in 2020, Azaria said in an interview that he felt as if he needed to “go around to every single Indian person in this country and personally apologize.” But Azaria's apology and willingnes­s to put an end to one of the few South Asian characters on TV did little to solve anything. It just took away a character who could have been used to explore not just the Indian or immigrant experience­s, but life as a businessma­n and a father. Erasing Apu won't

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