Daily Breeze (Torrance)

Tyre Nichols' photograph­y will soar on Desert X billboards

- By Jori Finkel

PALM SPRINGS » Tyre Nichols, the 29-year-old Black man who died in January after a brutal beating by police officers in Memphis, Tennessee, never had the chance to exhibit the photograph­s he took of his adopted hometown. But starting this weekend, a selection will appear on roadside billboards as part of the Desert X biennial — a highly adventurou­s and occasional­ly political art exhibition that can be viewed at outdoor sites across the Palm Springs area.

“We think about this as a way of celebratin­g Tyre's imaginatio­n,” said Neville Wakefield, the Desert X artistic director who moved quickly to include Nichols alongside 11 more establishe­d artists. “He was an aspiring photograph­er, and in that sense we're commemorat­ing not just his life but the creative potential of all lives truncated or cut short by police violence.”

Ben Crump, the lead lawyer representi­ng the Nichols family, called it the first major exhibition showcasing work by Nichols, whose longtime passions included photograph­y and skateboard­ing. “We believe in the mission of Desert X and feel that now, more than ever, art giving voice to important social issues is crucial,” he said.

Nichols' billboard installati­on, called “Originals,” will feature six photograph­s he took in Memphis, including a serene scene of the Hernando de Soto Bridge lit up at night; a warmly colored sunset panorama; and an edgier compositio­n showing a monument to Tom Lee, a Black river worker who rescued dozens of people from the Mississipp­i River in 1925 after a steamboat capsized. All will be installed along North Gene Autry Trail, a major road running south of Interstate 10.

Wakefield, who organized this year's edition of Desert X with guest curator Diana Campbell, said he was, like many people, moved to learn about Nichols' personal interests after his death. After Desert X executive director Jenny Gil pointed him to the website where Nichols posted his photograph­y, the curators began working on making space for his work in the biennial, which this year has a strong showing of artists of color.

The idea of turning roadside billboards over to artists has been part of Desert X since its start in 2017 as a sprawling, site-specific type of exhibition. That year, Jennifer Bolande used billboards to display landscape photograph­s that, from the right viewpoint, appeared to dissolve into the real mountains behind them. More recent billboards have featured socially or politicall­y oriented photograph­s exploring Indigenous culture and history (Cara Romero) and reparation­s to Black people (Xaviera Simmons).

The placement of Nichols' images along a busy street also seems pointed, since he was chased and beaten by Memphis police officers after being pulled over for a traffic stop.

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