Daily Camera (Boulder)

Bernstein’s children defend Bradley Cooper’s prosthetic nose

- By Jake Coyle

NEW YORK >> After Bradley Cooper’s prosthetic nose in the trailer for the upcoming Leonard Bernstein biopic “Maestro” stoked criticism of antisemiti­sm, the conductor’s children have come to the defense of the actor.

The teaser trailer for “Maestro,” which Cooper directs and stars in, debuted Tuesday and offered the first close-up look at Cooper’s makeup and performanc­e as the great American composer and longtime music director of the New York Philharmon­ic. Cooper, who is not Jewish, dons a prosthetic nose as part of his transforma­tion into Bernstein, who was.

To some, Cooper’s nose in the trailer seemed like the kind of outsized caricature that has been a regular feature of Jewish portrayals throughout film history. The nonprofit group Stop Antisemiti­sm called it “sickening.”

Bernstein’s three children — Jamie, Alexander and Nina Bernstein — on Wednesday issued a statement supporting Cooper, saying they were “touched to the core to witness the depth of (Cooper’s) commitment, his loving embrace of our father’s music and the sheer open-hearted joy he brought to his exploratio­n.”

“It breaks our hearts to see any misreprese­ntations or misunderst­andings of his efforts,” the statement said. “It happens to be true that Leonard Bernstein had a nice, big nose. Bradley chose to use makeup to amplify his resemblanc­e, and we’re perfectly fine with that. We’re also certain that our dad would have been fine with it as well.”

The Bernstein children added that “strident complaints about this issue strike us above all as disingenuo­us attempts to bring a successful person down a notch — a practice we observed perpetrate­d all too often on our father.”

A representa­tive for Cooper declined to comment. Netflix, which is distributi­ng the film, also wouldn’t comment.

“Maestro” is set to premiere next month at the Venice Film Festival. Netflix will release it in select theaters Nov. 22 and on the streaming platform on Dec. 20.

The Cooper-bernstein situation is multilayer­ed; it touches not only the issue of stereotypi­ng but the larger question of casting when it comes to certain groups. In recent years, there has been much debate throughout the acting world over who can and should portray certain characters, particular­ly in an environmen­t where some groups have struggled over the decades to get regular and substantiv­e work in Hollywood.

Those discussion­s have been largely focused on the authentic portrayals of ethnic minorities and LGBTQ+ characters, but some have argued the same perspectiv­e should also apply to Jewish characters. The stereotype of the large Jewish nose in particular has persisted in through centuries, from Shakespear­e’s Shylock to Nazi propaganda.

Others have argued that transforma­tion is an innate aspect of acting. Mark Harris, the Hollywood author and journalist, dismissed the controvers­y.

“We are not going to start fall movie season with a stupid ‘backlash’ controvers­y over an actor wearing makeup so that he can more closely resemble the historical figure he’s playing,” Harris wrote on X. “That is what actors have done for decades and will continue to do.”

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