Daily Freeman (Kingston, NY)

Exhibit explores the history of China’s first emperor

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The discovery in China of an undergroun­d army of nearly 8,000 life-size terracotta soldiers is considered one of the greatest archaeolog­ical finds of the 20th century.

More than four decades after they were first seen in modern times, by farmers in Shaanxi province, the Virginia Museum of Fine Arts has 10 of the majestic figures on display in an exhibit that explores the history of ancient China and the reign of its first emperor, Ying Zheng.

Although various assortment­s of the terracotta soldiers have been displayed previously in museums in New York, Philadelph­ia, Seattle and elsewhere, the exhibit in Richmond also includes 40 objects never seen in the U.S., including ancient jade ornaments, precious jewelry and ceramics.

“Terracotta Army: Legacy of the First Emperor of China” is only being shown in Richmond and at the Cincinnati Art Museum, where it goes after its run in Virginia ends March 11.

The exhibit explores the life of Ying Zheng — who declared himself Qin Shihuang, the first emperor — and how he influenced China during his reign from 221 to 210 BC. Historians believe he ordered the constructi­on of the terracotta army, which was buried in pits and discovered 2,000 years later, about a mile east of the emperor’s burial site.

“We want visitors to learn who is the first emperor and what people’s lives looked then, what technology developed during that time and the architectu­re of that time,” said Li Jian, the co-curator.

“No matter rich or poor, royal emperors or commoners, people had a quest for immortalit­y,” she said. “These excavated objects reflect the people’s lives at the time.”

The first two rooms of the exhibit showcase horse and chariot fittings, arms and armor, works of art in gold and silver, and other cultural relics.

A bucket-shaped mask with an open mouth and cut-out eyes is the oldest object, dating to 3500 BC, when an exorcist would have worn it while performing rituals to ward off evil spirits and misfortune. A necklace of red agate beads and white jade pendants was a type of jewelry favored by Qin nobility. A bronze household lamp would have contained vegetable oil or animal fat, capable of burning for long periods of time in an era before candles.

Visitors encounter an imposing sight as they enter the third room: The terracotta soldiers, 6 feet tall and weighing between 250 and 400 pounds each, are positioned in individual open cases, in various poses of war.

There’s the armored general, with detailed carving depicting a protective leather apron overlaid with plated armor. An infantryma­n stands at attention with both arms at his side. A standing archer and a kneeling archer depict the Qin military strategy, requiring one group of archers to stand and provide cover fire while another group knelt and loaded bolts into their crossbows.

Connie James, a retired kindergart­en teacher from Richmond, appreciate­d the details as she spent a recent weekday afternoon exploring the exhibit with her husband.

“I was expecting them to look like a terracotta flower pot, but they’re

 ?? STEVE HELBER — THE ASSOCIATED PRESS ?? In a Tuesday photo, Li Jian, curator of the Terracotta Army soldiers on exhibit at the Virginia Museum of Fine Arts, poses at the start of the exhibit at the museum in
STEVE HELBER — THE ASSOCIATED PRESS In a Tuesday photo, Li Jian, curator of the Terracotta Army soldiers on exhibit at the Virginia Museum of Fine Arts, poses at the start of the exhibit at the museum in

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