Daily Freeman (Kingston, NY)

Spotlight shines again on ‘80s star Dapper Dan

- By Deepti Hajela

In hip-hop’s golden era, the artists responsibl­e for rap’s distinctiv­e sound went to Harlem fashion designer Dapper Dan for the period’s equally distinctiv­e look.

Now the fashion groundbrea­ker, who spent more than two decades out of the public eye, is back.

He’s got a partnershi­p with Gucci and the likes of Beyonce among those wearing his designs, like the logoed jacket that is part of her costumes in her current tour with her husband, Jay-Z.

It’s a situation that Dapper Dan calls “amazing” and that observers say is a reflection of how hip-hop and street style have influenced global fashion, with him among the innovators.

The couturier, whose real name is Daniel Day, now has a new Gucci-sponsored workshop in a Harlem brownstone, not far from the nowclosed 125th Street boutique that once clothed Salt-NPepa, Eric B. & Rakim and LL Cool J.

His operation now is a different one from the 24-hourper-day shop that turned out custom-made jackets for those early rap superstars, but Dapper Dan said some things haven’t changed.

As a young man with a reputation for sharp dressing, “my first intention was to transform myself through clothes,” he said. “I took that same concept in opening up a store, transformi­ng people. When Gucci came along, I saw the opportunit­y to do this element of transforma­tion on a larger scale.”

Dapper Dan’s outfits in the 1980s were original designs embossed with designer logos from Gucci, Fendi and Louis Vuitton among others — without the brands’ permission.

He saw the pull of luxury and brand names and came up with the idea of putting the logos people coveted from bags and luggage on clothes to be worn.

“None of the big brands were making coats and jackets. That wasn’t available,” Dapper Dan said. That “left the whole field open for me.”

His logo-draped fabrics also were used in everything from suits to car interiors, in styles and silhouette­s that the labels themselves weren’t even doing.

“This is kind of the story of hip-hop,” said Erik Neilsen, an associate professor at the University of Richmond, in Richmond, Virginia, who teaches African-American pop culture. “Dapper Dan took something that was there. He arguably made it better . ... He showed the brands all these possibilit­ies it’s clear they had never really considered.”

Dapper Dan insists what he was doing wasn’t a knockoff. He wasn’t like the people who were making counterfei­t bags and belts. His creations were “knock-ups,” he said.

“I was creating things that when somebody wore it, they knew, ‘Oh, no, Gucci doesn’t even make pants and jackets and overcoats and things,’” at least not the way he was doing it.

 ?? MARY ALTAFFER — ASSOCIATED PRESS ?? Designer Dapper Dan is seen during an interview at his atelier in the Harlem earlier this month.
MARY ALTAFFER — ASSOCIATED PRESS Designer Dapper Dan is seen during an interview at his atelier in the Harlem earlier this month.

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