Daily Freeman (Kingston, NY)

Social media shock stories are lazy journalism

- Jonah Goldberg Jonah Goldberg is syndicated by Tribune Media Services.

Jonah Goldberg takes a look at coverage about criticism over the casting of Halle Bailey in the “The Little Mermaid.”

Did you hear about the backlash against Disney for casting Halle Bailey, a young black woman, for the lead in the live-action version of “The Little Mermaid”?

The Washington Post ran an essay on the furor, with the headline, “The white nostalgia fueling the ‘Little Mermaid’ backlash.” The subhead explained, “The uproar over a black Ariel shows how important representa­tion in children’s entertainm­ent is.”

The essay, written by Brooke Newman, an associate professor at Virginia Commonweal­th University, informed readers that, “On July 4, as Americans celebrated Independen­ce Day with barbecue, fireworks and armored vehicles rolling through the streets of Washington, #NotMyAriel began trending on Twitter.”

“Outraged by Bailey’s casting as Ariel, many (white) Disney fans took to Twitter to express their disappoint­ment and to threaten to boycott the film,” Newman wrote.

Apparently, some people find the idea of a half-human, half-fish creature to be believable enough, but only if the human half is a fairskinne­d Scandinavi­an.

But this story was about much more than just a movie.

“The #NotMyAriel backlash is part of the wave of white nostalgia that Donald Trump used to win the presidency by appealing to white, working-class Americans who feel marginaliz­ed by the country’s growing diversity,” Newman lamented. “In Trump’s America, it’s possible to return to a ‘simpler’ past characteri­zed by upward economic mobility and straight, white male cultural and political dominance.”

I agree that white nostalgia is a thing. So is black nostalgia — just look at the arguments over the gentrifica­tion of historical­ly black neighborho­ods in New York or Washington, D.C. And I certainly have my criticisms of Donald Trump’s culture-war politics. I don’t dwell on Newman’s essay to debate her thesis, but to question her methodolog­y.

It’s true that the hashtag “NotMyAriel” was briefly trending on Twitter. And it’s true that some people objected to the casting of Bailey in the role. But if you scroll through the tweets using the hashtag, you’ll find that most of them are by people mocking the hashtag and the sentiments behind it. Without the backlash to the “Little Mermaid backlash,” it never would have been trending in the first place. (Moreover, Brandon Wall of BuzzFeed found evidence suggesting the tweet that set off the viral frenzy came from a troll account.)

Newman links to a single Twitter account — one belonging to a teenager who had, as of this writing (despite being exposed in a Washington Post piece), a whopping 269 followers. For context, the Twitter account for Steak-Umm frozen meat slices has nearly 55,000 followers.

This is an increasing­ly common form of lazy, almost fake, journalism and analysis.

Last week, the British branch of Yahoo Entertainm­ent ran a story headlined, “Chris Pratt criticised for ‘white supremacis­t’ T-shirt.” Pratt, the star of “Guardians of the Galaxy” and other films, was spotted wearing a T-shirt with the Gadsden “Don’t Tread on Me” flag on it.

Yahoo was widely and correctly criticized for the ignorant and stupid claim that the Gadsden flag is a white supremacis­t symbol — and subsequent­ly changed the headline. But its methodolog­y was equally idiotic. Yahoo collected a handful of tweets from random people with tiny followings and created a controvers­y where there was none.

There are nearly 70 million active Twitter users in the U.S. Scooping up a few dozen, or even a few thousand, people with strong opinions and stitching them together to reveal a major trend isn’t journalism or analysis. It’s a kind of fabricatio­n — or at least it can be if you’re only looking for the evidence that conforms to your thesis or satisfies your need for clicks. This is particular­ly true given that there are many people (never mind bots) whose sole mission is to say shocking things.

You could go to a packed Lambeau Field in Green Bay and interview 30,000 people and probably find a handful who believe cheese and beer are disgusting. But that doesn’t give you license to write a story headlined “Shocker: Packers fans turn their backs on cheese and beer.”

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