Daily Freeman (Kingston, NY)

IN THE SPOTLIGHT Golden Globes slammed for dubbing ‘Minari’ foreign

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One of the most critically acclaimed American films of 2020, “Minari,” has been classified a foreign-language film ahead of the Golden Globes.

If that sentence didn’t make any sense to you, you’re not alone.

On Tuesday, Variety reported that “Minari” would not compete in the best picture categories at the Golden Globes because of its new foreign-language film status, sparking an outrage among champions of the award-winning family drama set in the United States.

Entertainm­ent luminaries across the industry are challengin­g the Hollywood Foreign Press Associatio­n’s controvers­ial decision regarding director Lee Isaac Chung’s festival darling about a Korean American family starting a farm in 1980s Arkansas.

In a scathing tweet, actor and producer Daniel Dae Kim called the HFPA’s move “the film equivalent of being told to go back to your country when that country is actually America.” A similar debate ignited last year around director Lulu

Wang’s 2019 film “The Farewell,” which features mostly Mandarin dialogue; “Minari” is primarily scripted in Korean.

According to the Golden Globes website, the HFPA identifies foreign-language entries as “feature length films (70 minutes or longer) with at least 51% non-English dialogue track first released in their country of origin during the 14-months period ... prior to the Awards.” (The “country of origin” for both “Minari” and “The Farewell” is the United States.)

The requiremen­ts also stipulate that such films can be considered “in all other categories except best motion picture drama and best motion picture musical or comedy which are for English-language films exclusivel­y.”

“I have not seen a more American film than #Minari this year,” Wang tweeted Tuesday. “It’s a story about an immigrant family, IN America, pursuing the American dream. We really need to change these antiquated rules that characteri­zes American as only English-speaking.”

 ??  ?? Alan S. Kim, foreground, with Steven Yeun in “Minari.”
Alan S. Kim, foreground, with Steven Yeun in “Minari.”

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