Art exhibit spotlights race, identity

Race, identity and the masks people wear are the themes explored in a new exhibit of contemporary, multimedia art at the Seattle Art Museum.

The themes feel especially relevant with the recent opening of the show “Disguise: Masks & Global African Art” coming one day after the deadly shooting in Charleston, South Carolina, and a week after the leader of the NAACP in Spokane, Washington, was accused of lying about her race.

But curator Erika Dayla Massaquoi believes this is the kind of exhibit that would have had people talking about race and identity even without the news.

The show isn’t going to hit people over the head with the topics of race and identity, but Massaquoi believes, “People will intuitively get it.” She worked with the museum’s curator of African and Oceanic art, Pamela McClusky, to create the new exhibit.

It showcases masks from the museum’s collection alongside contemporary art, much of it cre-

ated just for this show by African artists and those of African descent. The show will be traveling to Los Angeles and New York after Seattle.

The exhibit has a heavy emphasis on digital, multimedia and video art. Visitors walk right through some of the installations, giving it an interactive feel. The space is so filled with sights and sounds that some may find it a little overwhelming, while others will enjoy the way the different forms of art interact.

The first big gallery is a mix of styles and genres: Digital screens show electronically modernized versions of the ancient masks from the museum’s collection, flanked by a herd of fake deer wearing masks, which are in turn surrounded by videos, photographs and other three-dimensional art.

Massaquoi calls that the juxtaposition of genres a blurring and says it forces people to shift their focus back and forth and have their frames of reference challenged.

Some of the most interesting work in the show involve performance pieces, either in person or recorded on video.

Music permeates the space. At the end, visitors are invited to create their own soundtrack for the show. Before they get on the elevator to exit the museum, they also can virtu- ally “try on” some masks by taking pictures in mirrors with masks attached.

The show is not intended as a fun-filled children’s museum experience, although there’s plenty here to spark imaginations of all ages.

THE ASSOCIATED PRESS Nigerian masks from the 1950s are displayed with costumes to create a “masquerade parade” as part of the show “Disguise: Masks & Global African Art” at the Seattle Art Museum. The show will be traveling to Los Angeles and New York after Seattle.

ELAINE THOMPSON — THE ASSOCIATED PRESS Nigerian masks from the 1950s are displayed with costumes to create a “masquerade parade” as part of the show “Disguise: Masks & Global African Art” at the Seattle Art Museum on Sunday. Race, identity and the masks people wear are the themes explored...

ELAINE THOMPSON — THE ASSOCIATED PRESS A hyena mask is displayed as part of the show “Disguise: Masks & Global African Art” at the Seattle Art Museum.