Daily Local News (West Chester, PA)

Gravelly-voiced singer-songwriter Leonard Cohen dies at 82

- By Andrew Dalton and Robert Jablon

LOS ANGELES >> Leonard Cohen, the baritone-voiced Canadian singer-songwriter who seamlessly blended spirituali­ty and sexuality in songs like “Hallelujah,” ‘’Suzanne” and “Bird on a Wire,” has died at age 82, his son said.

“My father passed away peacefully at his home in Los Angeles,” Adam Cohen said in a statement Thursday. “He was writing up until his last moments with his unique brand of humor.”

Cohen, also renowned as a poet, novelist and aspiring Zen monk, blended folk music with a darker, sexual edge that won him fans around the world and among fellow musicians like Bob Dylan and R.E.M.

He remained wildly popular into his 80s, when his deep voice plunged to seriously gravelly depths. He toured as recently as earlier this year and released a new album, “You Want it Darker,” just last month. Adam Cohen said his father died with the knowledge that he’d made one of his greatest records.

Cohen’s “Hallelujah” went from cult hit to modern standard, now an unending staple on movies, TV shows, YouTube videos, reality shows and high school choir concerts.

Cohen, who once said he got into music because he couldn’t make a living as a poet, rose to prominence during the folk music revival of the 1960s. During those years, he traveled the folk circuit with younger artists like Dylan, Joni Mitchell, Joan Baez and others.

His contempora­ry Kris Kristoffer­son once said that he wanted the opening lines to Cohen’s “Bird on a Wire,” on his tombstone.

They would be a perfect epitaph for Cohen himself: “Like a bird on a wire, like a drunk in a midnight choir, I have tried in my way to be free.”

“Hamilton” star and creator Lin-Manuel Miranda quoted those lines on Twitter Thursday night as one of many paying tribute to Cohen.

Mourners gathered and created a candle-lit shrine outside a home in Montreal, the city where Cohen was born.

Cohen never seemed quite as comfortabl­e on stage as he did writing and recording, chalking it up to being a late starter among his folk cohort. “I was at least 10 years older than the rest of them,” he told Magazine, a supplement to the Spanish newspaper El Mundo, in 2001.

Judy Collins, who had a hit with Cohen’s song “Suzanne,” once recalled he was so shy that he quit halfway through his first public performanc­e of it and she had to coax him back onstage.

Like Dylan, his voice lacked polish but rang with emotion.

In 2016, Dylan told The New Yorker that Cohen’s best work was “deep and truthful, “multidimen­sional” and “surprising­ly melodic.”

“When people talk about Leonard, they fail to mention his melodies, which to me, along with his lyrics, are his greatest genius,” Dylan said. “Even the counterpoi­nt lines — they give a celestial character and melodic lift to every one of his songs. As far as I know, no one else comes close to this in modern music.”

Cohen was inducted into the Rock and Roll Hall of Fame in 2008, telling the audience: “This is a very unlikely occasion for me. It is not a distinctio­n that I coveted or even dared dream about.”

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Leonard Cohen

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