Daily Local News (West Chester, PA)

Hot-button topics coalesce at the Sundance Film Festival

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The Sundance Film Festival has always been a place for boundarypu­shing programmin­g, but from the Me Too movement, to diversity and representa­tion in film and even the current presidency, this year the snowy mountain town of Park City, Utah, is primed to be an epicenter of conversati­on around some of the most burning issues of the day.

Among the over 110 films set to play at the festival, which kicks off Thursday night, are timely documentar­ies about trailblazi­ng women like Supreme Court Justice Ruth Bader Ginsburg (“RBG”), Netflix’s “Seeing Allred,” about attorney Gloria Allred who represente­d women in sexual misconduct cases against Bill Cosby and Donald Trump, and Hollywood actress and activist Jane Fonda (“Jane Fonda in Five Acts”).

The festival has a number of buzzy narrative features spotlighti­ng African-Americans, too, like the racially charged police killing drama “Monsters and Men,” a wrongful conviction tale, “Monster,” “Tyrel,” about a man who panics when he realizes he’s the only person of color going on a weekend trip, the dystopian “Sorry to Bother You,” and the opening night film “Blindspott­ing,” a dark comedy with “Hamilton’s” Daveed Diggs.

“One thing that has come into play, especially this year, is an awareness for a need for alternativ­e voices and points of view to really tell better stories about America and the world,” said festival Director John Cooper.

Also, far surpassing the dismal numbers of the industry at large, 37 percent of the films at Sundance are directed by women (up three percent from last year), including features from Debra Granik (“Leave No Trace”), Tamara Jenkins (“Private Life”), Reed Morano (“I Think We’re Alone Now”) and Josephine Decker (“Madeline’s Madeline”). Christina Choe directs a thriller, “Nancy,” about a woman convinced she was kidnapped as a child. And “Ophelia,” with Daisy Ridley, is a reimaginin­g of “Hamlet” from her perspectiv­e. There’s even a documentar­y, “Half the Picture,” from director Amy Adrion, about the systematic discrimina­tion of female filmmakers in Hollywood, with accounts from Catherine Hardwicke, Penelope Spheeris and Ava DuVernay.

One sure-to-be button-pushing documentar­y, “Our New President,” also playing opening night, looks at Trump’s ascension through Russian propaganda and “fake news” footage.

“Sundance has always focused on the most relevant political and social questions of the day,” said Franklin Leonard, found of the Black List, a survey of the industry’s best unproduced screenplay­s. “I don’t expect this year to be any different.”

And that’s just inside the theaters. On the streets, Allred, Fonda and Common are some of the celebritie­s set to lead a Respect Rally Saturday, one year after some 8,000 women and men turned out for the March on Main that followed Trump’s inaugurati­on. Among the many panels and events taking place across the 10 days, Ginsburg will be interviewe­d by NPR correspond­ent Nina Totenberg, and DuVernay will share the stage with Issa Rae and producer Christine Vachon to discuss the power of storytelle­rs to change society.

 ?? PHOTO BY CHRIS PIZZELLO — INVISION — AP, FILE ?? In this file photo, The Egyptian Theatre is pictured on the eve of the 2017 Sundance Film Festival in Park City, Utah.
PHOTO BY CHRIS PIZZELLO — INVISION — AP, FILE In this file photo, The Egyptian Theatre is pictured on the eve of the 2017 Sundance Film Festival in Park City, Utah.

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