Daily Local News (West Chester, PA)

The strain shows on ‘A Bad Moms Christmas’

- By Amy Longsdorf For Digital First Media

“A Bad Moms Christmas” (2017, Universal, R, $28), the latest adventure featuring our under-appreciate­d suburban matriarchs (Mila Kunis, Kathryn Hahn, Kristen Bell), works as no-think entertainm­ent but it lacks the outrageous spark of the original.

This time around, the gals are visited by their own screwed-up moms. Bell is saddled with a smother mother (Cheryl Hines) while Kunis has to deal with an over-achiever (Christine Baranski) and Hahn is burdened with a hard-partying gambling addict (Susan Sarandon.)

Even though it manages to serve up some delightful­ly lewd laughs, the strain is beginning to show. Extras: deleted scenes, gag reel and music video.

Also New to DVD

Walking Out (2017, Shout Factory, PG-13, $22): A wilderness thriller that doubles as a father/son saga, the latest from Alex and Andrew Smith (“The Slaughter Rule”) has a lot to say about courage and the codes of masculinit­y. Josh Wiggins stars as a teenager whose annual Montana hunting trip with his father (Matt Bomer) takes a tragic turn after Bomer is injured miles from civilizati­on. Using flashbacks featuring Bill Pullman to deepen the story, “Walking Out” subverts your expectatio­ns at every fork in the road. Seek it out. Extras: featurette.

Dealt (2017, IFC, unrated, $25): In this fascinatin­g documentar­y, sleight-ofhand artist Richard Turner demonstrat­es some astonishin­g card tricks while filling in the blanks of his back story. But what really distinguis­hes the doc is how Turner slowly comes to terms with his blindness. Initially, he refuses to acknowledg­e his sightlessn­ess but even after agreeing he needs a bit of help, he never allows his disability to limit him. “Dealt” delivers a winning hand. On Amazon, Google, iTunes, Movies Anywhere and Vudu

Day of the Dead - Bloodline (2017, Lionsgate, R, $20): A remake of the George Romero zombie movie from 1985 is a gore-soaked outing that revolves around a med student named Zoe (Sophie Skelton) who survives the undead apocalypse in a displaceme­nt camp where she’s working on a vaccine against the zombie virus. The most interestin­g aspect of the flawed film is the appearance of a nutcase named Max (Johnathon Schaech) who, even though he’s a zombie, is still stalking Zoe. “Day of the Dead” runs out of ideas pretty quickly but zombie completist­s might find something to gnaw on. Extras: featurette.

The Miracle Worker (1962, Olive, unrated, $30): One of the best adaptation­s of a Broadway play ever filmed, this emotional powerhouse of a picture chronicles the experience­s of gifted teacher Annie Sullivan (Anne Bancroft) to reach out to her deaf-blind student Helen Keller (Patty Duke.) Director Arthur Penn (“Bonnie and Clyde”) doesn’t pull any punches: there’s a sequence in which Annie forces Helen to eat with utensils that is overwhelmi­ngly raw and relentless. Both Bancroft and Duke won Oscars for their performanc­es – and, boy, did they deserve ‘em. Extras: none.

Shoes (1919, Milestone, unrated, $30): Newly restored thanks to the discovery of a nitrate copy in the Netherland­s, this elegant example of early neo-realist cinema is arguably the best film directed by Lois Weber, one of the pioneers of the silent era. A stoic Mary MacLaren stars as a shop clerk so poor she can’t afford a new pair of shoes. While its MacLaren’s plight that drives the plot, Weber also deftly manages to examine themes of forgivenes­s and family. Extras: shorts and commentary track.

The Hospital (1971, Twilight Time, PG-13, $30): If you enjoyed “Network,” in which scripter Paddy Chayefsky skewered the TV news business, you’ll appreciate Chayefsky’s acidic take on the health care industry. George C. Scott stars as a depressed head of medicine at a Manhattan training hospital who is perplexed by the fact that so many of his doctors are turning up dead. In the midst of all the confusion, he falls in love with the eccentric daughter (Diana Rigg) of a delusional patient. It could have been bleak but, thanks to the explosive talent of Scott and Rigg, it delivers intrigue, romance and laughs that sting. Extras: none.

Ray Donovan - Season Five (2017, Paramount, unrated, $34): Don’t even think of missing this underrated series about the Hollywood fixer (Liev Schreiber) who can bury any secret except those involving his own fractured family (Jon Voight, Eddie Marsan, Dash Mihok). This season, a legendary media mogul (Susan Sarandon) hires Ray and, needless to say, plenty of skeletons pop out the closet. Expect to be riveted by this Showtime drama. Extras: commentari­es and featurette­s.

Rugrats - Season 3 (2018, Paramount, unrated, $20): Get ready for 10 hours of Angelica, Tommy, Chuckie and the rest of the Rugrats as they enjoy plenty of laughout-loud adventures. Included in the four disc set are fan favorites “Angelica Breaks A Leg,” “Stu Gets a Job” and “Naked Tommy.” Also on tap: episodes about Chuckie’s first haircut, a trip to the moon, the reign of Princess Angelica, a Passover celebratio­n and a trek to the North Pole. Extras: none.

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