Daily Local News (West Chester, PA)

After Brando, the deluge of Oscar politics

-

NEW YORK » Should any of this year’s Oscars winners use the occasion to promote a political cause, you can thank — or blame — Marlon Brando.

Brando’s role as Vito Corleone in “The Godfather” remains a signature performanc­e in movie history. But his response to winning an Academy Award was truly groundbrea­king. Upending a decades-long tradition of tears, nervous humor, thank-yous and general good will, he sent actress Sacheen Littlefeat­her in his place to the 1973 ceremony to protest Hollywood’s treatment of American Indians. In the years since, winners have brought up everything from climate change (Leonardo DiCaprio, “The Revenant,” 2016) to abortion (John Irving, screenplay winner in 2000) to equal pay for women, Patricia Arquette, best supporting actress winner in 2015 for “Boyhood.”

“Speeches for a long time were relatively quiet in part because of the control of the studio system,” says James Piazza, who with Gail Kinn wrote “The Academy Awards: The Complete History of Oscar,” published in 2002. “There had been some controvers­y, like when George C. Scott refused his Oscar for ‘Patton’ (which came out in 1970). But Brando’s speech really broke the mold.”

Producers for this year’s Oscars show have said they want to emphasize the movies themselves, but between the #MeToo movement and Hollywood’s general disdain for President Donald Trump, political or social statements appear likely at the March 4 ceremony. Winners at January’s Golden Globes citing the treatment of women included Laura Dern and Reese Witherspoo­n, who thanked “everyone who broke their silence this year.” Honorary Globe winner Oprah Winfrey, in a speech that had some encouragin­g her to run for president, noted that “women have not been heard or believed if they dare speak the truth to the power of those men. But their time is up. Their time is up. Their time is up.”

Before Brando, winners avoided making news even if the time was right and the audience never bigger. Gregory Peck, who won for best actor in 1963 as Atticus Finch in “To Kill a Mockingbir­d,” said nothing about the film’s racial theme even though he frequently spoke about it in interviews. When Sidney Poitier became the first black to win best actor, for “Lilies of the Field” in 1964, he spoke of the “long journey” that brought him to the stage, but otherwise made no comment on his milestone. When Jane Fonda, the most politicize­d of actresses, won for “Klute” in 1972, her speech was brief and uneventful.

“There’s a great deal to say, but I’m not going to say it tonight,” she stated. “I would just like to thank you very much.”

Political movements from anti-communism to civil rights were mostly ignored in their time. According to the movie academy’s database of Oscar speeches, the term “McCarthyis­m” was not used until 2014, when Harry Belafonte mentioned it upon receiving the Jean Hersholt Humanitari­an Award. “Vietnam” was not spoken until the ceremony held April 8, 1975, just weeks before North Vietnamese troops overran Saigon. No winner said the words “civil rights” until George Clooney in 2006, as he accepted a supporting actor Oscar for “Syriana.” Vanessa Redgrave’s fiery 1978 acceptance speech was the first time a winner said “fascism” or “anti-Semitism.”

 ?? PHOTO BY CHRIS PIZZELLO — INVISION — AP, FILE ?? In this file photo, Leonardo DiCaprio talks about climate change as he accepts the award for best actor in a leading role for “The Revenant” at the Oscars in Los Angeles.
PHOTO BY CHRIS PIZZELLO — INVISION — AP, FILE In this file photo, Leonardo DiCaprio talks about climate change as he accepts the award for best actor in a leading role for “The Revenant” at the Oscars in Los Angeles.

Newspapers in English

Newspapers from United States