Daily Local News (West Chester, PA)

Liked ‘Hamilton’? New documentar­y shows where it came from

- By Mark Kennedy

NEW YORK » You’ve probably seen or heard the highly scripted side of Lin-Manuel Miranda. Now get to know the unscripted one.

The playwright, actor and songwriter this month follows up the streaming live capture of his triumphant Broadway musical “Hamilton” with a documentar­y on Hulu showing his impressive hip-hop improv skills in “We Are Freestyle Love Supreme.”

Freestyle Love Supreme performanc­es offer thrillingl­y creative, fly-by-the-seat-of-your-pants moments, in which the performers weave songs out of random words and audience suggestion­s like “dishwasher” or “peanut butter.”

Director Andrew Fried turned his camera on in 2005 when the troupe did a run of shows at the Edinburgh Fringe Festival and then charts the group’s developmen­t over the years, capping it with a 2019 Broadway run. In her review, Associated Press Film Writer Lindsey Bahr called it “essential” to Miranda disciples.

Miranda describes the improv group as a crucial creative spark to his more formal stage shows, which include the Tony Awardwinni­ng “Hamilton” and “In the Heights.”

“I’ve often sort of jokingly called Freestyle Love Supreme the opposing muscle group of my writing,” Miranda tells The Associated Press.

“The fact that I have this other artistic output forced me to be present and create lyrics on the spot. It made me a better writer.”

The virus pandemic and calls for social justice have scrambled the original schedules for the documentar­y and “Hamilton.” Disney had wanted “Hamilton” to be in movie theaters in October, but put it on Disney+ and moved it up to coincide with Independen­ce Day. “We Are Freestyle Love Supreme” was supposed to go first in June but that was pushed back to Friday in the wake of Black Lives Matter protests.

Miranda hasn’t been stressed over the changes and is actually relieved that “Hamilton” — the show everyone has been clamoring to see — arrived first. “It’s all happening the way that it’s supposed to happen,” he says. “I’m really grateful ‘Hamilton’s” out first.”

In addition to Miranda, his improv group consists of Utkarsh Ambudkar, Anthony Veneziale, Chris Sullivan and Broadway veterans Christophe­r Jackson and James Monroe Iglehart. Thomas Kail, the Tony Award-nominated director of “Hamilton,” co-created and directs the group with Veneziale.

The documentar­y gives fans of “Hamilton” a chance to see when Miranda’s talent was forged. For the man himself, it’s a timeline of his career. It opens before he started dating the woman who would be his wife and the mother of his kids. And he’s at a profession­al low point: He’s just been told “In the Heights” is not ready for the stage.

“It was all of it. It was the freedom and it was the terror,” Miranda recalls of those early days. Of the film’s long look, he adds: “It’s an enormous, lifechangi­ng slice of time. And yet we’re the same. We’re the same idiots.”

Many of those same so-called idiots joined Miranda to make history with “Hamilton,” the 11-time Tony winning juggernaut which would earn him a Pulitzer Prize and a best-selling album.

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