Finding healing in ‘The Color Purple’

It’s not a secret that Fantasia Barrino did not want to play Celie again. The “American Idol” winner hadn’t had the best time doing “The Color Purple” on Broadway.

The protagonist of Alice Walker’s Pulitzer Prize-winning novel tells her story of sexual, physical and psychological abuses in the early twentieth century South in a series of letters to God. And it was a character she found it difficult to leave behind at the end of the day. Even the prospect of starring in her first major motion picture didn’t seem worth it.

But director Blitz Bazawule had a different vision: He wanted to give Celie an imagination. This Barrino found intriguing.

“Once she understood

the assignment, she quickly agreed,” Bazawule said in a recent interview with The Associated Press.

Now, four decades after “The Color Purple” became a literary sensation and a Steven Spielberg film, the story is on the big screen again. This time it’s a grand, big budget

Warner Bros. musical starring Barrino, Taraji P. Henson, as the sultry singer Shug Avery, and Danielle Brooks, reprising her Broadway role as the strong-willed Sofia. It opens in theaters nationwide on Christmas.

“I’m glad that I didn’t allow my fear of my past experience with Celie, because of where my life was at that time, to hinder me from doing something is great,” Barrino said. “I’m riding on a high right now.”

Oprah Winfrey is one of several big-name producers on “The Color Purple,” alongside Spielberg, Quincy Jones and Scott Sanders. Winfrey got her acting break and first Oscar nomination playing Sofia in the 1985 adaptation, before helping Sanders turn it into a Broadway musical 20 years later.

Bazawule was not an obvious candidate to direct this film, however. The multi-hyphenate Ghanaian artist had received acclaim and recognition for co-directing Beyoncé’s visual album “Black is King.” The only other film he had under his belt was the microbudget “The Burial Of Kojo,” which was made for less than $100,000.

But he had ambitious ideas involving large scale musical numbers that would take audiences on a dazzling journey through the history of Black music in America, from gospel to blues to jazz. And, of course, Celie’s inner life. He wasn’t at all sure he would get it, but he knew the story he wanted to tell.

“I thought, if I could just find a way to show the audience how this Black woman from the rural South was able to imagine her way out of pain and trauma it will debunk a myth that is that people who have dealt with abusing trauma are docile and passive or waiting to be saved,” Bazawule said. “If we could just imbue in (Celie) that scale, then that’s the version that needed to exist. Thankfully they said yes.”

PHOTO BY WILLY SANJUAN/INVISION/AP Danielle Brooks, from left, Fantasia Barrino, Blitz Bazawule and Taraji P. Henson pose for a portrait to promote the film “The Color Purple” on Dec. 7, in Los Angeles.