Equipment got well amid pandemic break
Shutdown allowed overhaul of high-tech gear that’s otherwise underwater
Disneyland used the downtime during the two-year pandemic pause of “World of Color” and “Fantasmic!” to refurbish and update the hundreds of technological elements and special effects of the nighttime shows that are often submerged.
Disney Live Entertainment show director and writer Wendy Ruth and producer Jennifer Magill spoke about the refurbishment process for the nighttime shows that saw “Fantasmic!” at Disneyland and “World of Color” at Disney California Adventure return just as visitors remembered them, during a round table media panel about the Anaheim theme park’s returning entertainment lineup.
“We had a lot to restore,” Ruth said. “We were down for some time. It took time to put a lot of things back together, especially as they’ve been sitting in the water.”
Disneyland crews traded out some “World of Color” equipment that had reached the end of its life and for which parts were no longer available for repair.
“The new equipment we installed is similar to the original, but because technology is always improving, ‘World of Color’ looks even more brilliant than it did in 2020,” Magill said. “The lights on the Incredicoaster are significantly brighter than before. Plus, our new 4K projectors are much brighter
Disneyland’s “Fantasmic!” has watery components, including fountains that were spruced up while the show was dark, in addition to Mickey Mouse and fireworks.
and crisper than the previous ones.”
Disneyland brought back the “World of Color” and “Fantasmic!” water shows this spring as part of a package of nighttime entertainments after two years away because of the COVID-19 pandemic.
“World of Color” is a technological wonder featuring high-definition projections on mist screens and 1,200 synchronized water fountains in addition to lighting, laser, fire and fog effects on Paradise Bay at California Adventure.
“Fantasmic!” — the 30-year-old predecessor to “World of Color” — has all that plus fireworks, a massive audio-animatronic Maleficent dragon and a host of
Disney characters performing on the Tom Sawyer Island stage and aboard a fleet of watercraft on the Rivers of America at Disneyland.
Adding to the complexity of both shows: Much of the technology is under water.
“We have maintenance teams that come in on a regular basis every day for those shows,” Ruth said. “What it took was getting back in there and finding out what we needed to do.”
The 412-day pandemic closure of Disneyland and California Adventure gave crews unfettered, 24-hour access to the Rivers of America and Paradise Bay — the artificial waterways that serve as aquatic stages for the twin nighttime shows.
“It was a great opportunity while people were not in the park to be able to work during the day, as opposed to our teams coming in at night or predawn,” Ruth said. “Being able to get to those details made a big difference. Being able to get to things that had been on the back burner.”
“World of Color” and “Fantasmic!” remained dark for an additional year after the Anaheim theme parks reopened in April 2021 out of coronavirus concerns about physical distancing and the large crowds the shows attract. The continued downtime allowed Disneyland to drain California Adventure’s Paradise Bay to rebuild the projection towers used for “World of Color.” The “Fantasmic!” fountain pits were also drained so crews could work on equipment without needing scuba gear.
“We were able to bring back smaller crews and start to really dig into what needed to happen,” Ruth said. “The end result for ‘World of Color’ was that pieces came back that had been waiting to be restored. We were able to put things back in.”
The end result of months of work: restored special effects that had been out of commission, and sharper mist screen projection images with more vibrant colors.
“The projections look stunning,” Ruth said. “Everything’s so clear. You can see the clarity.”
“Fantasmic!” got a number of new technological upgrades in 2017 during an extensive rehab and update.