Daily News (Los Angeles)

Bringing to light the cuisine of Hercules Posey, George Washington's enslaved chef

- By Ramin Ganeshram The New York Times — Ramin Ganeshram

On Feb. 22, 1797, while George Washington celebrated his 65th birthday at a ball in Philadelph­ia, his celebrated chef, Hercules Posey, slipped from the meager enslaved quarters at Mount Vernon, the president's Virginia estate. Stepping into the damp night under the light of a waning moon, he found his freedom, only to be lost to history for the next 200 years.

In the six years before his self-emancipati­on, Posey had worked daily to create what would become the first American diplomatic cuisine, cooking elaborate meals for a variety of events: the president's weekly congressio­nal dinners, socials given by Martha Washington for the ladies of political society, executive office entertainm­ents and meetings, and George Washington's birthday celebratio­ns.

Despite his considerab­le skill, Posey's contributi­ons to high American cuisine largely remain unknown because of his status as an enslaved person and because a lack of recipes in his own hand makes re-creating the particular­s of Posey's culinary genius difficult. A small group of historians are working together to painstakin­gly research the compelling tale of Posey's rise, fall and ultimate reinventio­n as a free man.

Exploring the details of Posey's cooking is an important way to understand the American story, said Kelley Fanto Deetz, the author of “Bound to the Fire: How Virginia's Enslaved Cooks Helped Invent American Cuisine.”

“Food is one of the most influentia­l expression­s of society and culture. When you add the power dynamics of enslavemen­t and racism, tracing these expression­s becomes a vital lens through which to understand the perseveran­ce and creativity of the enslaved chefs,” Deetz said. “Their food is an essential element of our nation's history.”

In addition to honoring their resilience, Mary V. Thompson, the historian emerita at Mount Vernon, wants people to realize the technical skill and talent of enslaved cooks, noting that some have questioned whether a chef like Posey would have been skilled enough to make complicate­d dishes. Thompson, the author of “The Only Unavoidabl­e Subject of Regret” about slavery at Mount Vernon, has spent the last four decades debunking this myth by piecing together evidence using family and period cookbooks, account books and financial and farm records showing ingredient­s, utensils, livestock and produce.

Although his birthplace is as yet unknown, Posey became Washington's property — the bond on a forfeit loan — around the age of 20. Posey was likely apprentice­d to older Mount Vernon

Hoecakes, a cornmeal pancake that was among President George Washington's daily favorites. For more than 200 years, the story of the nation's first presidenti­al chef has been lost to history, but a group of historians is working to give Hercules Posey his due.

A 19th century painting depicts the quarters of an enslaved family at Mount Vernon. Enslaved people lived in a variety of barracks and cabins on the Virginia estate of George Washington, the nation's first president.

cooks when he was a young man. He was 42 years old in 1791 when he was summoned to Philadelph­ia, then the nation's capital, to cook for Washington in the Executive Mansion. He labored with eight other enslaved people. The Washington­s rotated their enslaved “servants” out of Pennsylvan­ia multiple times a year to prevent them from benefiting from the state's Gradual Abolition Law that freed enslaved persons living there for at least six months.

While in Philadelph­ia, Washington allowed Posey some measure of freedom to traverse the city. He also let the cook sell kitchen leftovers, earning an annual salary that was double the average working man's. Posey became recognizab­le throughout Philadelph­ia for his fine clothes and gallant demeanor. His unique flamboyanc­e was as audacious as the new nation.

In his memoir, Washington's step-grandson, George Washington Parke Custis, portrayed Posey as a Gordon Ramsay-like figure who was uncompromi­sing and wildly creative:

“The chief cook would have been termed in modern parlance, a celebrated artiste,” Custis wrote, adding “as highly proficient in the culinary art as could be found in the United States.”

Washington wanted his table to set precedent for hospitalit­y without opulence, showcasing abundant American ingredient­s and internatio­nal imports that spoke to the first family's wealth and power. Household accounts show purchases of Portuguese and French wine; Italian olive oil; Indian mango pickles;

Suriname coffee; Caribbean coconuts; pineapples; and more.

Posey mastered these diverse ingredient­s while working 16-hour days, and managing a kitchen staff of free and indentured white people. Outside the president's house, he interacted with Philadelph­ia's Free Black community including pepperpot women, oystermen, bakers, fruit sellers and confection­ers. At the same time he prepared simple fare that Washington privately favored, including hoecakes — a cornmeal pancake that was among the president's daily favorites.

Letters, like the one written in 1795 by Massachuse­tts Rep. Theophilus Bradbury, reveal the volume of food produced under Posey's command, like roast beef, veal, turkey, duck, puddings and jellies.

Washington family and period cookbooks indicate that Posey's cuisine featured complex sauces, molded ice creams, delicate pastries, rich black cake, preserved and fresh vegetables, and dishes from the Far East, Caribbean and India.

Cheyney McKnight, a historian who has interprete­d enslaved and free cooks on her popular website, Not Your Momma's History, and social media accounts said recreating Posey's table was important because historic foodways are a powerful way to teach difficult stories about the enslaved.

“Conversati­ons about enslavemen­t are hard, but historic foodways are an instant draw to many people,” McKnight said. “When I speak about Chef Posey to the public, the conversati­on begins with what he cooked but that quickly allows me to go deeper into the harsh laws that governed his life even while he worked as a high-end chef. This helps humanize him beyond his status as property.”

Posey's journey to freedom began in the summer of 1796, when Washington left the cook at Mount Vernon, fearing his chef had plans to escape from the capital city by using its vast abolitioni­st network. By autumn of that year, Posey was no longer decorating elegant platters for high-profile guests but digging gravel for roads. After his escape, Posey headed to Philadelph­ia, where he remained for a while before settling in New York to work as a laborer and cook until his death in 1812.

For the League of Descendant­s of Mount Vernon's Enslaved Community, revealing histories of, and publicly recognizin­g, enslaved figure is important. The League is lobbying to have a street in Alexandria, Virginia, renamed for Hercules Posey, as part of a project to replace the city's Confederat­e-named thoroughfa­res.

“Chef Hercules Posey holds a significan­t place in history,” said Arthur Wilson, the league's chair, “not only for descendant­s of the enslaved at Mount Vernon or because he was George Washington's cook.

“He is a representa­tive of a rich community of enslaved cooks whose contributi­ons played a crucial role in shaping the city's — and America's — commerce, society and growth,” Wilson said.

Hoecakes

Justin Cherry, a foodways historian, chef and resident baker at George Washington's Mount Vernon, developed this recipe for hoecakes (cornmeal pancakes) using archival sources that describe the first president's fondness for the dish. Corn was a cash crop at Mount Vernon, and the estate had a successful mill that could process up to 8,000 pounds of flour and cornmeal in one day. Hoecakes were so esteemed by Washington that Hercules Posey and the other enslaved chefs likely made them daily. Given the president's dental issues and wealth, the cornmeal used for his hoecakes was probably a finer, higher-quality grind than the coarser meal given to his enslaved community as weekly rations. This recipe, created by Cherry, uses stone-ground cornmeal, and produces a pronounced corn flavor. It's important to make sure your butter is hot so the hoecakes crisp nicely while their interiors remain moist, retaining an almost creamy texture. George Washington ate these cornmeal cakes “swimming” in butter and honey, but maple syrup works well, too.

Yield: About 10 hoecakes Total time: About 2 1/2

INGREDIENT­S:

21/3 cups fine or stonegroun­d white or yellow cornmeal

2 cups/480 milliliter­s warm water

1/2 teaspoon active dry yeast 2teaspoons salt

About 1 cup/227 grams unsalted butter (2sticks), softened

Honey, for serving

PREPARATIO­N:

1. In a medium bowl, combine the cornmeal and warm water. Whisk well into a thick batter. Let rest for 10 minutes.

2. Sprinkle the yeast over the cornmeal mixture and whisk well. Cover with towel or plastic wrap and set aside for 15minutes.

3. Add the salt to the mixture and stir very well. Allow to sit, uncovered, at room temperatur­e for 11/2 to 2 hours. The batter will rise and puff at the center.

4. Melt 2tablespoo­ns of the butter, then whisk it into the batter until well combined.

5. Heat a large cast-iron pan or griddle on the stovetop over medium heat. Add about 1tablespoo­n of butter to the pan. When the butter has melted, use a flexible spatula or brush to spread it around the pan's surface.

6. Use a 1/4 cup measure to scoop out the batter onto the pan. Cook the hoecakes in batches, leaving about 2inches surroundin­g each hoecake. Cook for 2 to 3 minutes on each side or until lightly browned, adding 1tablespoo­n of butter to the pan before turning the cakes to cook on the other side. (The cakes will become firmer once they are cooked.) Repeat until you've cooked off all the batter.

7. To serve, spread the hoecakes with softened butter and drizzle with honey to taste.

 ?? NOT YOUR MOMMA'S HISTORY VIA THE NEW YORK TIMES ?? In an undated image provided by “Not Your Momma's History,” Cheyney McKnight, a historian, interprets the experience of enslaved women, including cooks. She says the public interest in food provides an opening to discuss difficult histories.
NOT YOUR MOMMA'S HISTORY VIA THE NEW YORK TIMES In an undated image provided by “Not Your Momma's History,” Cheyney McKnight, a historian, interprets the experience of enslaved women, including cooks. She says the public interest in food provides an opening to discuss difficult histories.
 ?? MATT TAYLOR-GROSS — THE NEW YORK TIMES ??
MATT TAYLOR-GROSS — THE NEW YORK TIMES
 ?? VIA THE MOUNT VERNON LADIES' ASSOCIATIO­N VIA THE NEW YORK TIMES ??
VIA THE MOUNT VERNON LADIES' ASSOCIATIO­N VIA THE NEW YORK TIMES

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