Daily Press (Sunday)

New Army museum tells a vital American story

It takes a fortune to build museums and some mind-melding must precede the exhibition­s

- By Gordon C. Morse

With all the wide world consumed with politics right now, why do remembranc­e? Why spend time on Veteran’s Day — it arrives Wednesday this year — or sport a poppy in your lapel this coming week?

Because great sacrifices were made, in years past, in order that we may do politics at all.

Democracy is never self-actuating, nor does it defend itself. We do that, together — the living, laboring souls of the republic.

So we cast our eyes and minds backward, visit the cemeteries, attend the patriotic events of

Nov. 11, lest we forget who gave greatly.

But here’s the thing: As important as remembranc­e may be, it does not automatica­lly lead to understand­ing. That takes a little more effort.

Thus the good news: Come Veterans Day, at last, the National Museum of the United States Army will officially fling open its doors to the public.

It’s been a long time coming. “Arguably since the 1820s,” says Army Col. Robert J. Dalessandr­o, the former director of the U.S. Army Center of Military History, chairman of the World War I Centennial Commission and currently deputy secretary of the American Battle Monuments Commission.

Dalessandr­o, a first-rate champion of our national values and an exponent of why we must “remember,” is also a neighbor. I came to know him from visiting ABMC facilities in Europe over the past 30 years

It would be hard to find someone more steeped in the management challenges of American memorializ­ation and remembranc­e — not to mention, the potential of U.S. facilities overseas to tell the stories of freedom and commitment.

The ABMC oversees both American cemeteries and memorials, the first of which were constructe­d for the remains of American servicemen who fought and died during World War I.

Similar facilities were later built for World War II burials — the most famous of which, doubtless, is the Normandy American Cemetery and Memorial located in Colleville-sur-Mer, France.

All these cemeteries and memorials — many of them located on or adjacent to the very battlefiel­ds on which Americans fought — have a great capacity for teaching.

Obviously, a formal museum provides a more concentrat­ed, thematic, curated and well-considered facility for insights, preservati­on and on-going scholarshi­p.

The Army museum has been well-considered (many stops and starts) over a long period of time. It takes a fortune to build these things and some mind-melding must precede the exhibition-building.

There are of course U.S. Army museums scattered all around the country, including the U.S. Army Transporta­tion Museum at Fort Eustis in Newport News and the Quartermas­ter Museum at Fort Lee, outside Petersburg.

The West Point Museum at the U.S. Military Academy in New York is our oldest federal museum, with its origins running back to the American Revolution. It is rich with military memorabili­a and was opened to the public in 1854 by Superinten­dent Robert E. Lee.

The new museum, located adjacent to Fort Belvoir, constitute­s, it says, “the first comprehens­ive and truly national museum to capture, display and interpret over 245 years of Army history … (it) brings to life that history in times of war and peace as told through the eyes of

soldiers.”

Obviously, because of the draft, we’re talking about a lot of soldiers, a lot of American lives.

“The Army is people,” says Gen. James C. McConville, the Army’s chief of staff. “The National Museum of the United States Army is designed to tell the compelling and heroic stories of our people.”

Or, as Col. Dalessandr­o puts it, “the museum’s storyline is us.”

I have been through the facility twice, the last time to accompany Gov. Ralph Northam — an Army surgeon, in a previous life. To say this museum has embraced an ambitious, multifacet­ed agenda

would be an understate­ment.

But all is done; all is ready. Now the public will be able to behold the results.

With relatively close proximity to the National Museum of the Marine Corps near Quantico, the new Army museum offers Virginia — long a military-infused commonweal­th — the opportunit­y to market itself as a center for its martial heritage.

Like all new museums, this sparkling, impressive new facility, will measure public reaction and evolve over time. Save COVID-19, it would have opened earlier.

Yet, in a sense, the new museum found the perfect day to greet the public for the first

time. Let the storytelli­ng begin.

On Wednesday, Veterans Day — the 102nd anniversar­y of the Great War’s armistice — the National Museum of the U.S. Army will immediatel­y become a repository of national pride.

After writing editorials for the Daily Press and The Virginian-Pilot in the 1980s, Gordon C. Morse wrote speeches for Gov. Gerald L. Baliles, then spent nearly three decades working on behalf of corporate and philanthro­pic organizati­ons, including PepsiCo, CSX, Tribune Co. and the Colonial Williamsbu­rg Foundation and Dominion Energy. His email address is gordonmors­e@msn.com.

 ?? COURTESY OF NATIONAL MUSEUM OF THE UNITED STATES ARMY ?? The exterior of the National Museum of the United States Army at twilight. The simplicity and sharpness of the exterior allows reflection­s to be cast on the façade.
COURTESY OF NATIONAL MUSEUM OF THE UNITED STATES ARMY The exterior of the National Museum of the United States Army at twilight. The simplicity and sharpness of the exterior allows reflection­s to be cast on the façade.

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