Daily Press (Sunday)

Juneteenth reminds us freedom remains a work in progress

- By T. Anthony Bell Guest Columnist T. Anthony Bell is a Norfolk native, Newport News resident and former U.S. Army photojourn­alist who has written extensivel­y about racial matters.

If ever there was a cause to celebrate, it would be the end of human bondage in a touted democracy. Since 1865, this celebratio­n has evolved into Juneteenth, the day marking the official end of slavery in Texas.

Also called Emancipati­on Day in the past, Juneteenth achieved widespread popularity only recently. Celebratio­ns have featured everything from participan­ts attired in their Sunday best, barbecues and rodeos, to poetry readings and music to dress it up as a celebratio­n.

The Juneteenth national holiday commemorat­es June 19, 1865, the date Union Maj. Gen. Gordon Granger and his troops came to Galveston, Texas, to oversee the freedom of slaves in the last Confederat­e outpost of the Civil War.

Upon his arrival, Granger clearly sought a peaceful transition. His desires were embodied in the issuance of General Order No. 3, which reads in part: “The people of Texas are informed that, in accordance with a proclamati­on from the Executive of the United States, all slaves are free . ... The freedmen are advised to remain quietly at their present homes and work for wages. They are informed that they will not be allowed to collect at military posts and that they will not be supported in idleness either there or elsewhere.”

While to the point and direct — “all slaves are free” — General Order

No. 3 seems to discourage celebrator­y behavior while encouragin­g subservien­ce. It reeks of a paradox: Technicall­y, you are free but do not exercise your freedom.

That, in fact, is the African American saga. Freedom has been a check written but not fully cashed, from the second that captive Africans stepped foot on present-day Fort Monroe — supposedly as indentured servants — to George Floyd’s death and beyond.

There is more to this irony. Even emancipati­on was not fully realized on June 19, 1865. What we celebrate as Juneteenth was not the last day of slavery. It legally continued in Delaware, Kentucky and other places until Dec. 6, 1865, when the 13th Amendment was signed. Further, those in present-day Oklahoma continued slavery well into 1866. Still further, discrimina­tory post-war laws gave new life to sharecropp­ing, birthed convict leasing and other practices designed to fill the lucrative voids of chattel slavery.

That makes Juneteenth a symbolic occasion, asterisked by the corroborat­ion that black freedom is a rickety, fleeting work in progress.

Despite what was to come, Blacks must have felt an indescriba­ble euphoria following Granger’s announceme­nt. Their minds may have been flooded with possibilit­y, and their hearts had to pound from the prospect of being able to be and do without restraint.

The jubilation, however, eventually descended to the reality that Black freedom was not commensura­te with that of their former captors and racial prejudice could not be simply wiped away with ink on paper.

Notwithsta­nding, Blacks strove to better their lives amidst waves of racial violence and discrimina­tion. They spilled blood for this country on distant battlefiel­ds and fought to improve their lot with astounding measures of dignity and civility.

Yet, more than 150 years following the official end of slavery, remnants of the past persist. In severity, they have appeared in the form of pelting rain, pummeling hail or, in the case of Floyd, violent thundersto­rms.

As the storms of social turmoil can dampen any celebratio­n, Juneteenth is still cause for jubilation. Not only is it a symbol of black resiliency in the face of ongoing turbulence, it has always been an exercise of reflection, hope and determinat­ion.

This year’s event, like every year, will be tinged with strong undercurre­nts of what cannot be celebrated and what has not been achieved.

That is a sad statement on the current state of affairs in the most advanced and touted democracy in the world.

 ?? STUART VILLANUEVA/AP ?? Dancer Prescylia Mae, of Houston, performs during a dedication ceremony for the mural “Absolute Equality” in downtown Galveston, Texas, on June 19, 2021.
STUART VILLANUEVA/AP Dancer Prescylia Mae, of Houston, performs during a dedication ceremony for the mural “Absolute Equality” in downtown Galveston, Texas, on June 19, 2021.

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