Daily Press

Control over online speech should be in users’ hands

Doja Cat, DaBaby, Noah Cyrus lead fashion march

- By Jillian C. York and Karen Gullo

The U.S. election and its dramatic aftermath have elevated the debate about how to deal with online misinforma­tion and disinforma­tion, lies and extremism. We saw social media companies permanentl­y kick the president, some of his allies and conspiracy groups off their platforms for election misinforma­tion, raising eyebrows around the world and leading to accusation­s that they’re being robbed of their First Amendment rights. At the same time, people used social media to communicat­e plans to commit violence at the Capitol, drawing complaints that platforms don’t do enough to censor extremism.

This has exacerbate­d calls by politician­s and others to regulate online speech by imposing rules on Facebook, Twitter and other social media platforms. Lawmakers are backing various wrongheade­d proposals for this.

One would change the law to hold tech companies legally liable for the speech they host, by amending Section 230 of the Communicat­ions Decency Act — the thought being that platforms will remove harmful speech to avoid multiple lawsuits. Another would give state legislatur­es power to regulate internet speech. Last but not least, now-former president Donald Trump issued in May an executive order that would essentiall­y insert the federal government into private internet speech, letting government agencies adjudicate platforms’ decisions to remove a post or kick someone off. The Biden administra­tion can rescind the order — but so far it has not.

It is important to note that the law as it currently exists gives platforms both the right to curate their content as they see fit (thanks to the First Amendment) and protects them from liability for the choices they make about what to remove or leave up. Without these protection­s, it is unlikely that we would have seen the growth of these platforms in the first place, nor are we likely to see further flourishin­g of competitio­n in the space.

The purported remedies under considerat­ion by lawmakers are highly and dangerousl­y flawed and flout First Amendment speech protection­s. They would foster state censorship antithetic­al to democracy.

Big tech companies would have more control over online speech than they already have because they can afford the legal fights that will scare off new entrants to the market. What’s more, they would push legal, protected speech offline, and silence the voices of marginaliz­ed and less powerful people who rely on the internet to speak out.

Instead, users should have more power to control what they see on their feeds. They should be able to move freely with their data from one platform to another when they don’t like what they see. There should be more competitio­n and more choice of platforms so users can seek out the one that works for them. Mergers and acquisitio­ns among social media companies should be more closely scrutinize­d, and our antitrust laws better enforced to foster competitio­n. Instead of having one giant platform gobbling up its competitor­s, we need multiple, diverse platforms for people to choose from.

Facebook, Twitter and Google have way too much control over public discourse and do a mostly horrendous job at moderating speech on their platforms. The decisions they make to take down posts or close accounts are inconsiste­nt and vague, and lack transparen­cy. Platforms should adopt standards like the Santa Clara Principles on Transparen­cy and Accountabi­lity in Content Moderation, which frame content moderation practices around human rights considerat­ions.

Tech companies have a First Amendment right to edit and curate the content on their platforms, free of government interferen­ce. The government cannot force sites to display or promote speech they don’t want to display or remove speech they don’t want to remove. We support this right. The government shouldn’t have the power to dictate what people can or cannot say online.

But until platforms embrace fairness, consistenc­y and transparen­cy in their editing practices, give users more power over their social media accounts, and embrace interopera­bility so users won’t lose data if they decide to switch platforms, and until policymake­rs find ways to foster competitio­n, we will continue to see misguided calls for the government to step in and regulate online speech.

Jillian C. York is director of Internatio­nal Freedom of Expression at the Electronic Frontier Foundation and author of “Silicon Values: The Future of Free Speech Under Surveillan­ce Capitalism.” Karen Gullo is an analyst and senior media relations specialist at EFF. They wrote this for InsideSour­ces.com.

NEW YORK — Doja Cat went for neon feathers and a moto jacket-inspired leather dress zipped allll the way down and DaBaby brightened up the Grammys in a bright mustard and green floral suit as music’s big night Sunday offered a luxe fashion moment for the stars.

Dressed in Roberto Cavalli, Doja Cat’s look included cat-claw zips on each arm. DaBaby, his mom, Linda by his side in red, rocked Dolce & Gabbana.

“I want to be the cat lady, so let me be that,” Doja told E!

Topping off his suit with a wide-brim green hat, DaBaby was on hand in person but earlier created an Instagram red carpet moment with his daughter since no kids were allowed at the Los Angeles show.

Joanie Leeds, winner of the best children’s music album, did something similar at a distance from home in New York.

“I actually created a step and repeat and a red carpet,” she told reporters during a virtual news conference before the show. “We all walked the red carpet and we had a photograph­er here and took some really good pictures.”

Leeds wore a multicolor sequined gown by Nicole Miller, and she slid off her silver heels to show on camera.

“Just because we’re virtual this year, I wasn’t going to wear my hoodie sweatshirt,” said Leeds, a first-time Grammy winner.

Due to pandemic precaution­s, the “red carpet” was not the usual mass of cameras and TV crews. A select few outlets were permitted on site to conduct live interviews — a safe distance apart.

The night’s host, Trevor Noah, showed up for the pared-down carpet in a classic black tuxedo, while nominee Debi Nova went

Due to pandemic precaution­s, the “red carpet” was not the usual mass of cameras and TV crews. A select few outlets were permitted on site to conduct live interviews — a safe distance apart.

big — and pink — in a mini dress that had a huge train and tropical details, by Georges Chakra. Phoebe Bridgers wore a black gown adorned with a beaded human skeleton, from Thom Browne, and Megan Thee Stallion wore a strapless bright orange princess look with a high side slit and a huge back bow and train by Dolce & Gabbana.

In Dundas, H.E.R. rocked a burgundy, mid-calf robe with matching wide-leg trousers.

Noah Cyrus spoke to reporters in a cream gown with a huge cape-like effect that encircled her face. It was a Schiaparel­li, a somber Cyrus and first-time Grammy nominee said. She said she was honored to be the first to wear it. Cyrus is mourning the recent death of her grandmothe­r.

“I just wish my grandma could have seen this,” she said of her nomination.

 ?? PRESS JORDAN STRAUSS/INVISION/ASSOCIATED ?? DaBaby arrives at the 63rd annual Grammy Awards at the Los Angeles Convention Center on Sunday.
PRESS JORDAN STRAUSS/INVISION/ASSOCIATED DaBaby arrives at the 63rd annual Grammy Awards at the Los Angeles Convention Center on Sunday.
 ?? KEVIN MAZUR/ THE RECORDING ACADEMY/AFP ?? Rapper Megan Thee Stallion wore a strapless bright orange princess look with a high side slit and a huge back bow and train by Dolce & Gabbana.
KEVIN MAZUR/ THE RECORDING ACADEMY/AFP Rapper Megan Thee Stallion wore a strapless bright orange princess look with a high side slit and a huge back bow and train by Dolce & Gabbana.

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