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Tom Brady may have seven Super Bowl rings, but that’s nothing compared to the latest team against whom he’s facing off, the winningest group of legends perhaps ever assembled. Just take a look at the stats: first up, Jane Fonda, with two Oscars, seven Golden Globes and two Tony Awards under her belt. Next, Lily Tomlin, boasting six Emmys, two Tonys and a Grammy; and Sally Field, coming in hot with two Oscars, two Emmys and two Globes. Rounding out the team is the EGOT herself, Rita Moreno. Count ’em: Oscar, Grammy, Tony, two Emmys and a Golden Globe for good luck. This fearsome foursome star in “80 for Brady,” a tale about a group of octogenarian football fans and a wild weekend at the Super Bowl. 1:38. 2 ½ stars. — Katie Walsh, Tribune News Service

‘ANT-MAN AND THE WASP: QUANTUMANIA’: Paul Rudd is back as Scott Lang/ Ant-Man, as is secondbilled Evangeline Lilly as Hope Van Dyne/Wasp. Second-billed implies a certain portion of the action and the talking, but Lilly is practically mute in “Quantumania,” and you keep waiting for some explanation for this. A curse? A character grudge we’ll eventually find out about? Aside from the occasional boilerplate, Hope’s strictly sideline material. The plot this time sends Scott, Hope, Hope’s parents (Michelle Pfeiffer and Michael Douglas) and Scott’s enterprising and socially conscious daughter, Cassie (Kathryn Newton), into the sub-universe of Quantumville. “Quantumania” also introduces the scowling, fearsome, highly screenworthy revolution-leading warrior, Jentorra, portrayed by Katy O’Brian. She’s a beast, the best kind, and ready for anything. Even when the film itself isn’t much of anything. 2:05. 2 stars. — Michael Phillips, Chicago Tribune

‘CHAMPIONS’: Lots of people will find lots to like in “Champions,” a seriocomic story of how young men and one woman — Special Olympics basketball hopefuls with intellectual and developmental disabilities — turn their arrogant coach, played by Woody Harrelson, into less of a jerk. The film remakes the 2018 Spanish comedy-drama “Campeones.” Stuck in Des Moines, Iowa, after being fired from his semipro assistant coaching gig and sentenced to 90 days of community service after a DUI, Marcus (Harrelson) reluctantly takes over a ragtag community center team’s fortunes. Disarming one minute, baldly manipulative the next, “Champions” is a tricky one. At one point, Marcus compliments his players for coping with

“the stuff you guys put up with from ignorant people every day,” and while that is well-meaning and rooted in bittersweet reality, the movie itself extends a hand to these characters even as it tells its preferred redemption story. 2:03. 2 stars. — Michael Phillips

‘CREED III’: For “Creed” star Michael B. Jordan, stepping behind the camera for his directorial debut in “Creed III” is following in the very famous footsteps of the original star of the franchise — Sylvester Stallone. After the critical success of “Rocky,” for which he wrote the screenplay, Stallone took over directing duties from John G. Avildsen, directing “Rocky II,” which became a box-office smash, cementing Stallone as an unlikely action-star auteur. There’s a meta element to Jordan’s move behind the camera that’s mimicked in Adonis Creed’s journey in the screenplay by Keenan Coogler and Zach Baylin. Adonis, aka Donnie (Jordan), has hung up the gloves and moved into a promoter role, supporting the championship aspirations of Felix Chavez (played by pro boxer Jose Benavidez), and spending time with his family, wife Bianca (Tessa Thompson) and daughter Amara (Mila Davis-Kent). The domestic challenges — finding his purpose outside of the ring, reckoning with the history of his relationship with his adopted mother (Phylicia Rashad) and learning to express himself with his wife — are fairly standard issue and not all that compelling beyond what the actors bring to the role. Where “Creed III” really starts to stir to life is in the introduction of Jonathan Majors as a figure from Donnie’s dark and violent childhood. 1:56. 3 stars.

— Katie Walsh

‘INSIDE’: “Art is for keeps.” This turn of phrase, uttered by Willem Dafoe’s character Nemo in Vasilis Katsoupis’ narrative directorial debut “Inside,” is a bedeviling little saying of multilayered meaning. It rattles around in your brain like a pinball, much in the way Nemo rattles around the luxury apartment where he’s trapped after an art heist gone wrong. “Art is for keeps.” It speaks to the way we place value on art, and it’s also a cheeky taunt as Nemo helps himself to million-dollar works of modern art in the penthouse apartment of a wealthy art collector. Later, it’s a statement that will haunt and even threaten Nemo, alone, in an increasingly dire survivalist situation, with only art to nourish him. 1:45. 3 stars. — Katie Walsh

‘JESUS REVOLUTION’:

“Jesus Revolution” focuses on the Jesus movement that took place in Southern California

in the late ’60s and early ’70s. Jon Erwin co-directs with Brent McCorkle, the writer of “I Can Only Imagine,” the pair working from a script by Erwin and Jon Gunn adapted from a book by Greg Laurie and Ellen Vaughn. Laurie is, in fact, the subject of “Jesus Revolution,” played by Joel Courtney. But the film, which is part biopic, part period piece depicting a larger movement, juggles three different subjects while trying to tell the story of the Jesus movement, including Laurie, Laurie’s mentor, Chuck Smith, played by Kelsey Grammer, and hippie evangelist Lonnie Frisbee (Jonathan Roumie). Unfortunately, despite the interesting history, the film itself is a dry, scattered slog, neutered of all the thorny, contradictory details of the real story. 2:00. 1 ½ stars. — Katie Walsh

‘SHAZAM! FURY OF THE GODS’: “Shazam! Fury of the Gods” is exceedingly grating, labored and annoying, and that’s in large part due to star Zachary Levi’s confounding performance as Shazam, the superhero alter ego of teenager Billy Batson (Asher Angel). In 2019’s “Shazam!,” also directed by David F. Sandberg, there was something rather charming about Levi’s boyish performance, a grown man playing Superman with all the aw shucks wonder of a teenager. In the four years hence, the shtick has grown old, or Levi is simply laying it on too thick, adopting a vaguely urban accent, speech peppered with tired slang (“trippin’ ”), and an extra-randy attitude. Here’s hoping this is not only Shazam’s last outing, but the nail in the coffin of the smarmy superhero, too. 2:10. 1 star. — Katie Walsh

“Scream” movies are like pizza — when they’re good, they’re great, and even when they’re not as good, they’re still satisfying. Thankfully, “Scream VI” is a tasty slice. Writers James Vanderbilt and Guy Busick keep the blade sharp, while directors Matt Bettinelli-Olpin and Tyler Gillett bring a brawny, bruising and bloody style to this “requel sequel.” This is the second “Scream” movie not directed by Wes Craven (Bettinelli-Olpin and Gillett took over with the previous “legasequel”), and the first without franchise star Neve Campbell as Sydney Prescott. There’s a new “Scream” queen in town — Melissa Barrera — and she stabs back. Last year’s “Scream” proved that this filmmaking team were worthy heirs to Craven’s iconic franchise, and while “Scream VI” underlines that point, it also illustrates that there’s still a rich vein to tap in the “Scream” franchise, using established lore to take the preeminent slasher movie franchise of 20th and 21st centuries in new and fascinating directions. 2:03. 3 stars.

Walsh

‘SCREAM VI’: RATINGS:

The movies listed are rated according to the following key: 4 stars, excellent; 3 stars, good; 2 stars, fair; 1 star, poor.