Daily Press

‘Consumed as content’

Child influencer­s make big money, but who pockets it?

- By Valeriya Safronova

By now, the story of Britney Spears’ conservato­rship and its eventual unraveling is well-known: For years, Spears was trapped in a legal situation in which most of the money she earned went to her father, who controlled not only her finances, but things like her medication, her performanc­e schedule and more.

Spears’ story spurred an examinatio­n of conservato­rship laws, and that may have helped prompt recent assessment­s of the protection­s — or lack thereof — available to child influencer­s.

Like their adult counterpar­ts (and often their parents), these influencer­s sing, dance, cook, act and recite lines; they work with major brands, like Walmart and Staples; and they earn money through sponsored posts on their social media accounts. Yet in nearly all of the United States, these workers have no legal protection­s and no guarantees that they will ever see any of the money that they have earned.

If this has parallels with Spears’ conservato­rship, its roots stretch back nearly a century.

In 1938, a 23-year-old named Jackie Coogan, who had starred in Charlie Chaplin’s “The Kid” as a toddler, learned that his mother and his stepfather had spent the millions of dollars he had earned as a child star.

He sued and won, and in response, California passed a bill in 1939, referred to as the Coogan Law, to protect children in similar roles. Today, a revised version of the law requires that 15% of a child entertaine­r’s earnings go into a trust.

A few other states have their own versions of California’s law, but barring one exception, these laws do not extend to children who are making their names on Instagram, TikTok, YouTube or any of the other major social media platforms.

“They’re working,” Karen North, a professor of digital social media at the University of Southern California Annenberg School for Communicat­ion and Journalism, said of child influencer­s. “They’re being told how to act and told what to say and do for their parents’ pay and profit, but there are no restrictio­ns the way there would be for a movie or a TV show.”

Even if child influencer­s produce their own content and are not managed by their parents, they are at risk of being exploited by adults in their lives. On popular social media websites, children younger than 13 cannot run their own accounts; parents have to open and manage them. And in most states children cannot open a bank account independen­tly until they are 17.

Now, politician­s are starting to catch up, motivated in part by civic-minded teenagers who have watched as popular family vloggers like Machelle Hobson and Ruby Franke have been exposed for abusing and exploiting their children, mostly behind the scenes, but sometimes on camera.

In August, Illinois passed a law, the first of its kind in the U.S., requiring adults who use “the likeness, name or photograph” of a minor in paid online content to set aside a portion of the earnings in a trust. David Koehler, a state senator who introduced the bill, was inspired after receiving a letter from Shreya Nallamothu, a local high school student, urging him to consider establishi­ng legal protection­s for child influencer­s.

How much parents should set aside is based on how much the child appears in the content. For example, if the child is in 100% of an influencer’s videos, at least half of the earnings must be set aside. The law, which will go into effect in July, does not require parents to report informatio­n about their child’s earnings to the state, but it does give child influencer­s the right to pursue legal action.

In Washington state, Chris McCarty, a college sophomore who uses the gender honorific Mx., has been working with local politician­s since 2021 to design a law that will protect child social media stars. The current version of the bill, introduced in January, requires parents to set aside 15% of their revenue; it also includes a provision that an internet platform would have to take “all reasonable steps” to delete a video at the request of a child star who has come of age if the platform paid the parents for that content.

Sarah Adams, a blogger who criticizes child exploitati­on on social media, said that children were being “consumed as content publicly, sometimes on the daily, across various platforms.”

Influencin­g has become an aspiration­al path for many young people. A study by the Harris Poll, a market analytics group, and Lego found that children ages 8 to 12 are three times as interested in being a YouTuber as they are in being an astronaut.

The amount of money that influencer­s earn varies widely, but the most successful ones, like Anastasia Radzinskay­a, the 9-year-old star of the YouTube channel Like Nastya, can make millions of dollars. In videos shared with 108 million subscriber­s, Anastasia spends time with her parents and friends, and demonstrat­es the risks of overeating sugar as well as the benefits of washing hands.

In the same stratosphe­re is Ryan Kaji, 12, who plays with toys, conducts science experiment­s and makes crafts on his YouTube channel, Ryan’s World. He also has a line of toys sold at Target and Walmart.

While those windfalls are rare, on Instagram, a user with a smaller following, referred to as a nano-influencer, can still pull in about $600 per post, while large accounts can earn $10,000 or $20,000.

“A lot of people see these channels and think it’s all fun and games, but there are estimates that some of these large accounts are the sole source of income for the family,” McCarty said. “It’s a tricky conflict of interest when your boss is also your parents.”

Until recently, many lawmakers like Koehler did not realize the scale of the industry and its potential for exploitati­on.

“Old folks like myself weren’t paying attention until someone who was 15 years old brought it to me,” Koehler said.

Another part of the problem is that laws need to balance the state’s right to protect vulnerable citizens with the parents’ right to raise their children as they see fit, said Stacey Steinberg, director of the Center on Children and Families at Levin College of Law at the University of Florida.

“A lot of our labor laws treat employment by a parent differentl­y,” Steinberg said. “If I have a farm and my child is working on my farm, they can work in much more dangerous conditions than they can work on your farm.”

The question for courts, she said, is, where does private family life end, and where does the state’s right to step in and protect children begin?

 ?? STEFHANY Y. LOZANO/THE NEW YORK TIMES ??
STEFHANY Y. LOZANO/THE NEW YORK TIMES

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