Dayton Daily News

Questions start to stream after drop in Netflix numbers

- By Mae Anderson

How much NEW YORK — is too much for streaming video?

A dramatic slowdown in worldwide growth at Netflix — including the first quar- terly drop in its U.S. subscriber­s since 2011 — is raising questions about just how much are people willing to pay for streaming services. Especially with a host of new ones from Disney, Apple and others on their way.

A recent price increase seems to have spooked Net- flix subscriber­s. The com- pany lost 126,000 subscriber­s in the U.S., less than 1% of its 60.1 million paid U.S. subscripti­ons, during the April-June period. Its most popular plan rose from $11 to $13 in a U.S. price hike announced in January and rolled out for many subscriber­s during the second quar- ter. Worldwide, the service picked up 2.7 million worldwide subscriber­s, far below Netflix’s forecast of 5 million.

“Netflix raising prices prompted people to think about whether they were getting value for money,” Wedbush analyst Michael Pachter said.

While people are willing to shell out for several ser- vices to meet their streaming needs, he said, they’re also willing to cancel if they’re not using it enough, just as they would with a gym mem- bership or a subscripti­on to the New Yorker magazine.

Streaming services prepar- ing to compete with Netflix appear to be taking note.

Disney Plus, set to debut in November, will already be cheaper than Netflix at $8 a month, though Disney Plus will also have a smaller video library. Hulu has cut prices to $6 from $8 for its main, ad-supported service. Ser- vices from Apple, due out this year, and WarnerMedi­a and NBCUnivers­al, out in 2020, don’t have announced prices yet, although the NBCUnivers­al service will be free and ad supported for traditiona­l cable TV subscriber­s.

Of course, even if these individual services are cheaper than Netflix, it’s not clear how many consum- ers will be willing to pay for.

One way to make a service appealing is not through better prices but through exclusive shows and deep libraries, including shows that Netflix will be losing. Netflix’s two most popular shows, “Friends” and “The Office,” will be departing in the coming months for rival services.

Group M analyst Brian Weiser said that for now, other services shouldn’t be overly concerned by a weak quarter or two at Netflix. He said streaming content consumptio­n is still growing rapidly, so the overall market has plenty of room for competitor­s. And the streaming arena is a growth area in the much bigger and more mature entertainm­ent industry.

“I don’t think it follows that if Netflix has an underperfo­rming quarter that tells you about others,” he said.

Some analysts also believe Netflix’s trouble is temporary.

Canaccord Genuity analyst Michael Graham said the subscriber numbers will likely hit the stock in the short term, but overall the company’s growth remains on track, particular­ly overseas.

“We still see a strong content strategy and room to add large numbers of internatio­nal subscripti­ons as key strengths going forward,” he wrote in a note to investors.

Similarly, Pivotal Research Group a nalyst Jeffrey Wlodarczak said investors shouldn’t make a “mountain out of a molehill” with the most recent quarterly figures.

The spring quarter is typically sluggish for the streaming service, and Netflix acknowledg­ed a weak content slate could have been partly responsibl­e for the drop. It expects to regain some momentum this summer, projecting that it will add 7 million subscriber­s from July through September. The optimism stems in part from the immense popularity of “Stranger Things,” whose third season attracted record viewership after its July 4 release.

Netflix has said it welcomes competitio­n. It ended June with 151.6 million worldwide subscriber­s, far more than a current crop of video streaming rivals that includes Amazon and Hulu.

 ?? HUNTER KERHART / THE NEW YORK TIMES ?? A wall in Netflix’s lobby features displays of some of the streaming service’s shows and stars in Los Angeles. Every day an entertainm­ent who’s who passes through the lobby.
HUNTER KERHART / THE NEW YORK TIMES A wall in Netflix’s lobby features displays of some of the streaming service’s shows and stars in Los Angeles. Every day an entertainm­ent who’s who passes through the lobby.

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