Dayton Daily News

Hands-on learning on hold as museums reopen

- Julia Jacobs / SMITHSONIA­N INSTITUTIO­N VIA THE NEW YORK TIMES

On a normal day at the Smithsonia­n’s National Air and Space Museum, giddy children line up for a chance to be enclosed in a compact capsule capable of blasting off into space or to feel the stomach-turning lurch of operating a fighter jet.

Nowadays, just the idea of their children in such touchyfeel­y spaces is enough to evoke a good deal of cringing by parents: the joysticks, the virtual reality goggles, the seat belts — all shared by dozens of tourists who have passed through.

So in the second week of March, one day before the museum itself closed because of the coronaviru­s, its leaders shut down one of the institutio­n’s most popular — and germ-covered — attraction­s: flight simulators and virtual-reality machines that mimic the sensation of being a fighter pilot or astronaut.

“I’m personally very reluctant to touch things in public right now,” said Ellen Stofan, director of the Air and Space Museum. “And if we can’t find a way to do it safely, we’re not going to do it at all.”

Such is the dilemma these days for many museums across the country, particular­ly science and children’s museums, for whom the ethos for decades has been to encourage visitors not only to look, but to touch. All sorts of exhibits were installed and designed to provide people the opportunit­y to manipulate touch screens or press buttons to help them learn. Research has shown that hands-on activities, guided by a parent or museum staffer, are very effective teaching tools for children.

Now, as many of these institutio­ns anticipate reopening, they must face the question of what to do with what had been integral parts of their museum experience.

The solutions range from blocking off some hands-on exhibits to creating hygienic ways to touch without risk.

So visitors, for example, won’t be able to test their risk tolerance at one exhibit at the Internatio­nal Spy Museum in Washington, by inserting their hand into an opaque box without knowing what’s inside. (Spoiler alert: It may feel as if something is crawling on you.)

“Clearly we’re not going to open an exhibit where you stick your hand in something,” said Jackie Eyl, the museum’s youth education director.

But visitors will be able activate touch screens and press buttons elsewhere, the museum said. It has bought disposable styluses that visitors can use in place of their hands, a low-cost solution that has caught on among museums of all kinds.

Other institutio­ns are looking into antiviral coatings that can be applied to the screens or thinking up other outside-the-box solutions to avoid the need for touching.

“If we can’t be hands-on, can we be feet-on?” Eyl asked.

The unfortunat­e news at the Natural History Museum of Los Angeles County is that, for the near term anyway, it will have to close a very popular part of its permanent “Paleo Play Zone” exhibit, which opened in 2019. In normal times, children use miniature paleontolo­gical tools to find reproduced fossils in the sand of a “dig pit.” But it is impractica­l to clean the tools and the sand between visitors at the fake excavation site.

A couple years ago, after touch screens had become popular at museums, research into the amount of bacteria that resides on these screens became a topic of conversati­on among museum officials, said Christy Coleman, executive director of the Jamestown-Yorktown Foundation, which runs two living history museums.

There was a realizatio­n that museums needed to figure out an effective plan for keeping the screens clean. Before the pandemic, that meant wiping them down once a day. Now, museums will have to either shut these screens down or clean them much more frequently, install hand sanitizer nearby and trust their visitors to use it.

At children’s museums, the problem is complicate­d by the fact that many exhibits are filled with toys and soft, pillowy material that is difficult to clean. Many, for example, feature “grocery stores,” where young visitors push miniature carts, grab plastic “food” from shelves and check out at a register.

At the Strong National Museum of Play in Rochester, New York, staff members are in discussion with Wegmans to enact the same kinds of safeguards in use at the actual stores: plexiglass around the cashiers and frequent cleaning of the register belts. (Unlike a real Wegmans, they’ll have to disinfect each item before it goes back on the shelves.) At Brooklyn Children’s Museum, they’re considerin­g giving each family that comes in a bag of mock “groceries” for their own personal use — rubber apples and bananas that only one family will be allowed to touch.

When the American Museum of Natural History opens again, visitors will no longer be able to put their hands on dinosaur bones (“You can’t Clorox those off,” the museum’s president, Ellen Futter, said).

The natural history museum is looking into more investment in gesture-based technology, Futter said, in addition to mobile apps that allow visitors to navigate museums with their smartphone­s. It experiment­ed with gesture-based technology in a temporary pterosaur exhibit that opened in 2014: visitors were able to flap their arms as if they were wings and see the pterosaur on screen respond in kind.

At the Museum of Science in Boston, the latest endeavor demonstrat­es the needs of the current moment. In March, after the museum closed indefinite­ly, its staff started working on a new exhibit about COVID-19. It will feature a full-sized virtual projection of a scientist that uses an artificial intelligen­ce algorithm to answer questions about the disease.

When the museum reopens, possibly in July, visitors will be able to pose questions to the expert. And if someone asks, “How does coronaviru­s spread,” the virtual scientist, all voice-activated, will be in a position to respond: Not from this exhibit.

 ?? CONTRIBUTE­D BY ERIC LONG ?? Science and children’s museums are re-thinking their many tactile exhibits to keep people safe.
CONTRIBUTE­D BY ERIC LONG Science and children’s museums are re-thinking their many tactile exhibits to keep people safe.

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