Dayton Daily News

What does it mean to tear down or destroy a statue?

- Jonah Engel Bromwich

Confederat­e statues and statues of other historical figures, including slave traders and Christophe­r Columbus, are being toppled throughout the U.S. and around the world — an outgrowth of weeks of protests over entrenched racism in the United States, reignited by the killing of George Floyd in police custody.

This follows years of debate about public display of Confederat­e symbols, following the 2015 murder of nine black church congregant­s in Charleston, South Carolina, by a Confederat­e-flag-bearing white supremacis­t, and the deadly clash in 2017 between white nationalis­ts and counterpro­testers in Charlottes­ville, Virginia, over the removal of a statue of Robert E. Lee.

Art historian Erin Thompson, a professor at the John Jay College of Criminal Justice in New York City, has spent her career thinking about what it means when people deliberate­ly destroy icons of cultural heritage. Late last week, she answered questions about the statues.

Q: What are the some of the issues that arise when we talk about statues being torn down?

As an art historian I know that destructio­n is the norm and preservati­on is the rare exception. We have as humans been making monuments to glorify people and ideas since we started making art, and since we started making statues, other people have started tearing them down... So it’s not surprising that we are seeing people rebelling against ideas that are represente­d by these statues today.

Q: I feel as if the reflexive instinct for a long time has been to preserve anything that can teach us more about history. Is that not the case?

I think a lot of people assume that since I’m an art historian that I would want everything preserved but I know that preservati­on is expensive. A couple of journalist­s in 2018 did an amazing investigat­ion for Smithsonia­n magazine and found that in the previous 10 years, taxpayers had spent at least $40 million preserving Confederat­e monuments and sites.

Q: You mentioned that we’re seeing people rebel against the ideas represente­d by these statues. Are there other aspects of tearing a statue down that people may not immediatel­y understand?

Throughout history, destroying an image has been felt as attacking the person represente­d in that image. Which we know because when people attack statues, they attack the parts that would be vulnerable on a human being. We see ancient Roman statues with the eyes gouged out or the ears cut off. It’s a very satisfying way of attacking an idea — not just by rejecting but humiliatin­g it. So it feels very good in a way that is potentiall­y problemati­c. I’m certainly not advocating for the destructio­n of all offensive statues in the U.S., in part because it’s very dangerous. Protesters have already been severely injured tearing down statues.

Q: What do the attacks on statues in recent weeks tell us about the protests themselves?

The current attacks on statues are a sign that what’s in question is not just our future but our past, I think, as a nation, as a society, as a world.

These attacks show how deeply white supremacy is rooted in our national structure — that we need to question everything about the way we understand the world, even the past, in order to get to a better future.

Q: What’s a statue?

I think a statue is a bid for immortalit­y. It’s a way of solidifyin­g an idea and making it present to other people. So that is what’s really at issue here. It’s not the statues themselves but the point of view that they represent. And these are statues in public places, right? So these are statues claiming that this version of history is the public version of history.

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