Dayton Daily News

‘Lift Every Voice and Sing’ ignites hope across U.S.

- By Jonathan Landrum Jr.

LOS ANGELES — The Black national anthem was born more than a century ago, but the popular hymn within the African American community called “Lift Every Voice and Sing” has resurrecte­d a beacon of hope during nationwide protests.

In recent weeks, countless rallies were held from D.C. to Seattle with armlocked protesters of different races reciting the song’s lyrics while marching against police brutality of unarmed Black people. The demonstrat­ions throughout the U.S. were ignited by the killing of George Floyd, who died after a Minneapoli­s police officer pressed a knee into his neck for several minutes.

Some marches were peaceful, while others turned violent. But one common thread at protests were people chanting the anthem‘s long-lasting message of faithfulne­ss, freedom and equality.

“I saw whites singing that song saying ‘No justice, no peace’ and ‘Black Lives Matter.’ It’s something I didn’t see early in my career or even 15 years ago,” recalled the Rev. Al Sharpton, referring to protesters in Minneapoli­s in the aftermath of Floyd’s death. “You got to see people other than us appreciati­ng our song, our anthem. This is just not a moment. This is a real movement.”

Growing up, Sharpton said he learned self-identity through the anthem, which was written as a poem by James Weldon Johnson before his brother, J. Rosamond, turned it into music. The song was performed for the first time in 1900, not long after it was written.

The NAACP dubbed “Lift Every Voice and Sing” as the Black national anthem in 1919. The decision came more than a decade before “The Star-Spangled Banner” was adopted as the national anthem of the U.S.

During the civil rights movement, the song was popular during protests with the likes of “We Shall Overcome” and “Amazing Grace.” The latter was written by former slave trader John Newton, but the song helped define racial equality.

Sharpton said the ability of “Lift Every Voice and Sing” enduring several generation­s speaks volumes.

“The fact that this song could survive us going from the back of the bus and the outhouse to the Truman Balcony at the White House, it shows that this song really resonates in our hearts,” he said. “Very few songs would last through those kinds of changes in Black America. That’s why it’s a great barometer to the cultural shift.”

Protesters are certainly making the song heard. In Dallas, hundreds flocked to the plaza where John F. Kennedy was shot in 1963 to march before collective­ly taking a moment to sing the song. Protesters sang the song last month at the historic Lincoln Memorial in Washington, D.C. The same happened in Los Angeles, Chicago, Baltimore and Minneapoli­s.

“The song is a refreshmen­t and renewal of my faith,” said Andrew Young, the civil rights leader and former Atlanta mayor and U.S. ambassador to the United Nations. He said the singing of the song at protests shows how “desegregat­ion of America is really the integratio­n of cultures, ideals, energies and spirituali­ty.”

Young has known the song’s lyrics since kindergart­en and even recited every word during a recent interview. He believes the Black anthem is a more “powerful and patriotic” song than America’s national anthem, which was written by a slave owner who made a painful reference to slavery in its little-known third stanza.

The NFL will play “Lift Every Voice and Sing” before each game during Week 1, a person familiar with the discussion­s told The Associated Press. It’ll be played first when the Super Bowl champion Kansas City Chiefs host the Houston Texans to kick off the NFL regular season on Sept. 10.

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 ?? NATI HARNIK / AP ?? Singers perform “Lift Every Voice and Sing,” dubbed as the Black national anthem, in Lincoln, Neb., during a Juneteenth rally last month.
NATI HARNIK / AP Singers perform “Lift Every Voice and Sing,” dubbed as the Black national anthem, in Lincoln, Neb., during a Juneteenth rally last month.

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