Dayton Daily News

Fake baseball fans, ‘cheers’ feel intellectu­ally dishonest

- By Ted Anthony

Random midsummer baseball moment: Chicago Cubs first baseman Victor Caratini knocks a sharp seventh-inning single to center off White Sox reliever Jimmy Lambert. As Caratini darts toward first, the crowd erupts in cheers.

Or, rather: The “crowd” erupts in “cheers.”

On this day, and on all coming days as the 2020 baseball season finally begins, there is — and will be — no crowd. The seats of storied Wrigley Field are empty, its fans scattered to the virus-era winds.

And the “cheers” — air quotes hanging heavy — are recorded snippets amplified from an electronic soundboard after being airlifted out of “MLB The Show,” a video game about, yes, Major League Baseball.

MLB has its reasons to deploy its version of a laugh track. First, a game without ambient sound feels dull — a ghostly incarnatio­n of its usual self and something baseball can’t afford right now, particular­ly after the tonedeaf weeks of union-management acrimony that made the season even shorter than it might have been. Completely noiseless games would simply draw more attention to the fact that something’s not quite right.

Also, as some players have said, the “crowd” noise obscures the muted strategy chatter and prevents the opposing team from pilfering in-game intel — also not something MLB wants right now (cough-Astros-cough).

Over the past few days’ exhibition games, everyone’s been getting used to it. Announcers, many perched in booths over deserted ballparks listening to the reactions of crowds that aren’t there, are hashing through the notion.

“I wasn’t necessaril­y in favor of it, but after last night’s game, I’m now a proponent. It really does add at least a little atmosphere,” Pittsburgh Pirates announcer Greg Brown said this week. Reasonable enough. But what’s lost — for players and living, breathing fans alike — when the canned relieves the real?

One of baseball’s appeals is its perceived authentici­ty, its continuity as time-tested national pastime.

The fake-fan baseball universe of 2020 — well, that touches something more spiritual. It’s about the nature of experience itself — the value of the real and the emptiness of its synthetic counterpar­t, even if you’re only watching the game on TV.

What makes going to a live baseball game special? You’re there. You’re immersed. You can hear and see and smell and FEEL it. Same story, but to a lesser extent, when you’re watching on a screen.

There is something kinetic, something intangibly sweet, about the live reaction from the stands to a big play. It both heightens the game and changes it. Energy is traded between players and fans. Together, it all forms a baseball recipe that’s more than its ingredient­s.

OK, you say. But the virus. And besides, we just want baseball.

Fair points. Trouble is, the crowd isn’t merely being eliminated. As in the old “Invasion of the Body Snatchers” movie, it’s being replaced with a nonreactiv­e shadow duplicate of itself.

Recorded in years past to make a video game feel real, the sounds (about 75 of them in all) are themselves ghosts, phantoms from exciting moments that have already had their day. They come from crowds riled up by an entirely different event than the one you’re hearing or watching.

It’s easy, in baseball, to be an annoying purist, to say that every adjustment designed to modernize, to keep pace with the times, threatens the “integrity of the game.” Yes, baseball is inherently conservati­ve. That’s part of its allure .

But in benefiting from its market-driven dedication to authentici­ty, doesn’t baseball take on the responsibi­lity of being something real in a world that increasing­ly feels anything but?

Of course, the game itself is bound to the carefully polished mythology of the nation, which has its own challenges these days, some directly related to the reasons fake crowds must exist at all.

Necessary though they may be, fake-fan sounds are kind of the PEDs of audio. They’re intellectu­ally dishonest. They’re artificial excitement, audio juicing, a constant reminder that something in the world isn’t quite right. Which, of course, is true.

But wait. That’s all easily forgotten, right? Mere details. Baseball’s finally back, and its fans (as opposed to its “fans”) can’t wait.

Just ask the Cleveland Indians, who exited Progressiv­e Field smiling Monday night after an 11-7 exhibition victory over the Pirates. As players trotted toward the clubhouse, that feeling of a regular summer prevailed — complete with a volley of winning-team fireworks overhead.

Well, maybe fireworks. It sure sounded like them. Who really knows.

 ?? OAKLAND ATHLETICS ?? The Oakland Athletics baseball team shows fan cutouts in the stands at RingCentra­l Coliseum in Oakland, Calif. As the 2020 baseball season finally begins, there is — and will be — no real crowd.
OAKLAND ATHLETICS The Oakland Athletics baseball team shows fan cutouts in the stands at RingCentra­l Coliseum in Oakland, Calif. As the 2020 baseball season finally begins, there is — and will be — no real crowd.

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