Dayton Daily News

Cryptocurr­ency feeds demand for digital art

- Erin Griffith

In the 10 years since Chris Torres created Nyan Cat, an animated flying cat with a Pop-Tart body leaving a rainbow trail, the meme has been viewed and shared across the web hundreds of millions of times.

A couple weeks ago, he put a one-of-a-kind version of it up for sale on Foundation, a website for buying and selling digital goods. In the final hour of the auction, there was a bidding war. Nyan Cat was sold to a user identified only by a cryptocurr­ency wallet number. The price? Roughly $580,000.

Torres was left breathless. “I feel like I’ve opened the floodgates,” he said.

The sale was a new high point in a fast-growing market for ownership rights to digital art, ephemera and media called NFTs, or “nonfungibl­e tokens.” The buyers are usually not acquiring copyrights, trademarks or even the sole ownership of whatever it is they purchase. They’re buying bragging rights and the knowledge that their copy is the “authentic” one.

Other digital tokens recently sold include a clip of LeBron James blocking a shot in a Lakers basketball game that went for $100,000 in January and a Twitter post by Mark Cuban, the investor and Dallas Mavericks owner, that went for $952. This month, actress Lindsay Lohan sold an image of her face for over $17,000 and, in a nod to cryptocurr­encies like Bitcoin, declared, “I believe in a world which is financiall­y decentrali­zed.” It was quickly resold for $57,000.

The nascent market for these items reflects a notable, technologi­cally savvy move by creators of digital content to connect financiall­y with their audience and eliminate middlemen.

Some NFT buyers are collectors and fans who show off what they have bought on social media or screens around their homes. Others are trying to make a quick buck as cryptocurr­ency prices surge. Many see it as a form of entertainm­ent that mixes gambling, sports card collecting, investing and day trading.

Eye-popping NFT sale prices have attracted some of the same confusion and derision that have long haunted the cryptocurr­ency world, which has struggled to find a good use for its technology beyond currency trading. And there is uncertaint­y over the stability of values, since many of the transactio­ns are using cryptocurr­encies, which have fluctuated wildly in worth over the last two years.

But true believers remind people that most big things in tech — from Facebook and Airbnb to the internet itself and mobile phones — often start out looking like toys.

“A lot of people are cynical about this kind of thing,” said Marc Andreessen, a venture capital investor at Andreessen Horowitz, in a discussion on the social media app Clubhouse this month. But people don’t buy things like sneakers, art or baseball cards for the value of their materials, he and his partner, Ben Horowitz, explained. They buy them for their aesthetics and design.

“A $200 pair of sneakers is, like, $5 in plastic,” Andreessen said.

“You’re buying a feeling,” Horowitz added.

The market for NFTs began to pick up last year, with more than 222,000 people participat­ing in $250 million worth of sales, quadruplin­g the volume in 2019, according to Nonfungibl­e.com, which tracks the market. As day trading has risen alongside the stock market in the pandemic, investors have looked for riskier and more esoteric places to make money, from sneakers and streetwear to wine and art.

At the same time, soaring cryptocurr­ency prices meant more Bitcoin millionair­es had money to burn. High-profile NFT releases from Deadmau5, the music producer, and Justin Roiland, the creator of the cartoon “Rick and Morty,” drew attention. And the start of the NBA season drew people to the league’s new digital trading cards.

Griffin Cock Foster founded Nifty Gateway, a site for buying and selling NFTs, with his identical twin, Duncan, in 2018. The company sold for an undisclose­d amount to Gemini, a cryptocurr­ency exchange founded by another pair of cryptocurr­ency-inclined identical twins, Tyler and Cameron Winklevoss, the next year.

The boom has been gratifying for Roham Gharegozlo­u. In 2017 his company, Dapper Labs, created CryptoKitt­ies, a site that allowed people to buy and breed limited-edition digital cats with cryptocurr­ency. The cats were a phenomenon, but Ethereum, the network that CryptoKitt­ies was built on, couldn’t handle the demand and was expensive to use. People lost interest as cryptocurr­ency prices fell in 2018.

But Dapper Labs doubled down, raising more venture capital funding and building its own network, Flow, to handle the transactio­ns. It joined up with the NBA to sell collectibl­e highlight clips via a new venture, Top Shot, which had $43.8 million in sales in January alone. Dapper Labs takes a 5% cut of each sale.

The Cock Foster brothers have tried to warn people that it’s difficult to make money flipping digital art. People looking for a fast sale tend to lose money on Nifty Gateway.

“I’ll just hold on to it for the rest of my life and maybe pass it down to my kids,” he said. “Or do what art collectors do and auction it off at the end of my life.”

 ?? QUICKHONEY / THE NEW YORK TIMES ?? A fastgrowin­g market for digital art, ephemera and media is marrying the world’s taste for collectibl­es with cuttingedg­e technology. One investor explains the new industry — which is seen as strange to some — by saying people are “buying a feeling.”
QUICKHONEY / THE NEW YORK TIMES A fastgrowin­g market for digital art, ephemera and media is marrying the world’s taste for collectibl­es with cuttingedg­e technology. One investor explains the new industry — which is seen as strange to some — by saying people are “buying a feeling.”

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